Gregorian Chant Is Named After Pope Gregory I Who:

Gregorian chant

Gregorian chant is a type of liturgical music performed in unison or in monophony by the Roman Catholic Church to accompany the readings of the mass and the canonical hours, sometimes known as the divine office. The Gregorian chant is named after St. Gregory I, who was Pope from 590 to 604 and during whose reign it was collected and codified. King Charlemagne of the Franks (768–814) brought Gregorian Chant into his country, which had previously been dominated by another liturgical style, the Gallican chant, which was in general usage.

The passages that are repeated from one mass to the next are included in theOrdinary of the Mass.

The first appearance of the Gloria was in the 7th century.

The Gloria chants that follow are neumatic.

  • TheSanctus andBenedictus are most likely from the period of the apostles.
  • Since its introduction into the Latin mass from the Eastern Church in the 7th century, theAgnus Dei has been written mostly in neumatic form.
  • The Proper of the Mass is a collection of texts that are different for each mass in order to highlight the significance of each feast or season celebrated that day.
  • During the 9th century, it had taken on its current form: a neumatic refrain followed by a psalm verse in psalm-tone style, followed by the refrain repeated.
  • As time progressed, it evolved into the following pattern: opening melody (chorus)—psalm verse or verses in a virtuously enriched psalmodic structure (soloist)—opening melody (chorus), which was repeated in whole or in part.
  • Its structure is similar to that of the Gradual in several ways.
  • Synagogue music has a strong connection to this cry.
  • Sacred poems, in their current form, the texts are written in double-line stanzas, with the same accentuation and amount of syllables on both lines for each two lines.
  • By the 12th century, just the refrain had survived from the original psalm and refrain.
  • The Offertory is distinguished by the repeating of text.
  • The song has a neumatic feel to it.

Responses are short texts that precede or follow each psalm and are mostly set in syllabic chant; psalms, with each set to a psalm tone; hymns, which are usually metrical and in strophes or stanzas and set in a neumatic style; and antiphons or refrains, which are short texts that precede or follow each psalm and are mostly set in syllabic The Gradual’s form and style are influenced by the sponsor’s contribution.

Amy Tikkanen has made the most current revisions and updates to this page.

Why is chant called Gregorian?

The fact that the “Gregorian” chant is called after and attributed to Pope Gregory I (r. 590-604) is the result of political expediency and spin doctoring. Conflict between the Pope (the Bishop of Rome) and other Bishops over the Pope’s power as “first among equals” was mirrored by conflict between the Pope, as spiritual ruler of Rome, and the secular leaders of the city of Rome, which lasted for decades. This conflict persisted intermittently until the 15th century, when the “Conciliar Conflict” (c.

In addition to writing, collecting, and organizing the body of plainchant in use during his time period, Gregory I is credited with founding the first singing school (Schola Cantorum) in Rome to train singers for the church, organizing the church’s annual cycle of liturgical readings, and establishing the church’s authority over the Roman secular rulers, among other accomplishments.

  • The artist painted scenes in which a bird sang mantras into his ear while he was writing them down.
  • Any of these claims are up to debate as to whether or not he actually accomplished them.
  • Those who ascribed Gregory’s extraordinary achievements were performing the same function as spin doctors today, who work for politicians and entertainment both.
  • The Emperor Charlemagne addressed a request to Rome for legitimate liturgical books and chants in around the year 800, some two centuries after Gregory’s death.
  • The cry of the Franks is the form that gradually gained popularity….
  • John HowellToEarly Music Frequently Asked Questions

Gregorian chant is named after Pope Gregory I the Great who reorganized the

Gregorian chant is named after Pope Gregory I (the Great), who reigned from 590 to 604 and restructured the Catholic liturgy throughout his tenure. Although medieval mythology attributes the invention of Gregorian chant to Pope Gregory, we now know that it developed over a period of several centuries. Some of its rituals, like as the chanting of psalms, were derived from Jewish synagogues that existed in the early decades following Christ. The majority of the many thousand melodies that are now known were composed between AD 600 and 1300.

  1. A medieval chant notation example is shown on page 69, in the figure.
  2. The authors of Gregorianchant, as well as the artists who embellished early medieval cathedrals, are virtually forgotten to the general public.
  3. Each variety comprised both sung and spoken passages in Latin, as well as other languages.
  4. During the mass, which served as the high point of the liturgical day, participants participated in a ceremonial reenactment of the Last Supper.
  5. The Church’s Various Modes The “otherworldly” quality of Gregorian chant is due in part to the strange scales that are utilized in the music.
  6. Church modes, like major and minor scales, are made up of seven separate tones plus an eighth tone that is a duplication of the first octave higher in pitch.
  7. The church modeswere the fundamental scales of western music during the Middle Ages and Renaissance, and they were employed in both secular and sacred music during this time period.
  8. A good example of this is the sea chantey What Shall We Do with the Drunken Sailor?, which is written in a style known as Dorian.

Alleluia: Vidimus stellam (I saw the stars) (We Have Seen His Star) The Alleluia from the Mass for the Feast of the Epiphany is a lengthy and exuberant Gregorian chant. “The word” is an abbreviation for

Why was Gregorian Chant named after Pope Gregory? –

Gregorian chant is a type of liturgical music that is either monophonic or unison in nature, and it is used to accompany the text of the mass and the canonical hours, also known as the holy office. Gregorian chant is named after St. Gregory I, who reigned as Pope from 590 to 604 and was responsible for its collection and codification.

What did Pope Gregory have to do with Gregorian Chant?

Although popular tradition attributes the invention of Gregorian chant to Pope Gregory I, experts think that it evolved from a later Carolingian synthesis of Roman chant and Gallican chant, which took place around the year 800. Gregorian chant was originally sung by choirs of men and boys in churches, or by men and women of monastic orders in their own chapels, and it is still performed today.

What was the sacred music created by Pope Gregory called?

Plainchant, plainsong, and other terms for the holy music of the Gregorian Chant were used to refer to the sacred music of the Gregorian Chant, which was called after Pope Gregory. It consisted of a single line of melody with a flexible rhythm that was sung to Latin lines by unaccompanied male voices, and it was composed in the style of the Renaissance.

Why is Gregorian Chant important today?

Gregorian Chant continues to be a revered style of prayer because it does two important tasks, and does them well: it submits to a higher form of being and it instills a sense of seriousness into the proceedings that is congruent with the more conservative form of congregational prayer.

Why does Gregorian chant sound so different?

It was non-tonal in the sense that it was designed to have no tendency to gravitate towards tonic (thus indicating that it had no tonality.) While the majority of organum was composed in perfect fourths and fifths, Gregorian chant was written to simply express itself, and as a result was exceedingly melismatic (many different pitches for one syllable).

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What was Gregorian chant quizlet?

When it comes to music, Gregorian Chant is a collection of songs that were utilized for worship by the Christian Church during the When the chant melodies were first introduced, they were performed in _, which meant that all participants sang with the same beat and tune.


In the period from around A.D. 350 and 1100, Medieval art and music were predominantly derived from monastic sources. Thus, composers and artists were predominantly linked with the Roman Catholic church and resided in monasteries throughout this time period. These monks or priests felt that the creative and musical abilities that they were given were gifts from God, and that any work that they produced or delivered artistically was intended to praise God. For this reason, from around 1100 onwards, the great bulk of art and music was given through anonymous sources, which are defined as sources that do not have identifiable names linked to them.

  1. She composed a large number of religious poetry, many of which were set to simple tunes.
  2. In the form of GregorianChant, which was named after Pope Gregory (590-604), this monophonic music was spread throughout Europe and the Roman Empire, which had adopted the RomanCatholic tradition.
  3. The end of the ninth century saw the beginning of the practice of composers writing two or more lines of melody that could be performed simultaneously.
  4. Leonin, a French composer of the Notre Dame school of music (who lived between 1163 and 1201), was one of the earliest known composers to produce two lines of music that could be sung together.
  5. Music was also employed as a form of amusement.
  6. Some noblemen rose to prominence as poets and composers.
  7. They played for monarchs and rich individuals, and their repertoire consisted primarily of simple love ballads.

Artists such as Guillaume de Machaut (about 1300-1377) began to make music with more difficult rhythms and experimental melodies from the beginning of the fourteenth century. This new artistic style came to be known as Ars Nova, which literally translates as “new art.”

Part 2 Flashcards

Art and music in the Middle Ages were predominantly derived from monastic sources between the years 350 and 1100. Therefore, composers and artists were predominantly linked with the Roman Catholic church and resided in monasteries. These monks or priests felt that the creative and musical abilities that they possessed were gifts from God, and that, as a result, any work that they produced or delivered artistically was intended to bring glory to God himself. For this reason, from around 1100 onwards, the great bulk of art and music was given through anonymous sources, which are defined as sources that do not have identifiable names associated with them.

She composed a large number of religious poetry, many of which were put to modest tunes by composers like herself.

A type of monophonic music known asGregorianChant was created in the 590s and 60s, named after Pope Gregory (590-604), who organized the chants into a specific order, printed them, and distributed them to churches throughout Europe and the Roman Empire, which had adopted the Roman Catholic tradition.

  1. Leonin, a French composer of the Notre Dame school of music (who lived between 1163 and 1201), was one of the earliest known composers to produce two lines of music that could be sung simultaneously in a single piece.
  2. Besides for amusement purposes, music was also employed in the past As early as the 10th century, men and women known as minstrels traveled from place to place doing gymnastics, singing songs, and playing instruments.
  3. French troubadours and German minnesinger were referred to as troubadours or trouveres, respectively.
  4. As early as the beginning of the fourteenth century, composers such as Guillaume deMachaut (about 1300-1377) began to make music with more difficult rhythms and experimental melodies.

A brief history of Gregorian chant

A Gregorian chant rehearsal at the school’s St. Vincent Chapel was conducted on October 10 by Timothy S. McDonnell, director of music ministries at The Catholic University of America’s Institute of Sacred Music, Benjamin T. Rome School of Music in Washington. Gregorian chant is the chanting of the liturgy, and the texts are nearly completely drawn from the Bible. (CNS photo courtesy of Chaz Muth) (CNS) – Washington, D.C. – Whenever Erin Bullock walks in front of the altar at Washington’s Cathedral of St.

  • During an October Mass at the church, her function as cantor is as obvious as the priest’s, and much of the music she intones with her powerful soprano – together with the choir and those in the seats – is the unadorned resonances of Gregorian chant.
  • In their performance by a choir, the chants are normally chanted in unison and unaccompanied by any kind of rhythmic or melodic accompaniment, with the tones rising and falling in an ad libitum way.
  • McDonnell, director of the Institute of Sacred Music at The Catholic University of America in Washington, the history of sung prayer extends back to the first millennium, with Gregorian chant being the suitable music of the mature Roman rite.
  • Despite its resurgence in popularity in recent decades, the chant is not the primary musical accompaniment in most Catholic parishes in the United States, according to McDonnell of Catholic News Service.
  • According to Elizabeth Black, assistant music director at St.

As an example, when the priest sings, “the Lord be with you,” and the congregation responds in song, “and with your spirit,” they are participating in Gregorian chant because those holy texts are an essential part of the Mass, according to Black, who spoke to Catholic News Service in a recent interview about the practice.

  1. When you sing a component of the liturgy that is fundamental to the Mass, you’re singing Gregorian chant, according to Lang, who is an expert on the subject.
  2. Despite the fact that hymns, which are typically layered in rich harmonies, are liturgical in character, such melodies are intended to beautify the Mass with meditative spirituality rather than serving as a key component of the liturgy, according to Black.
  3. However, there are several exceptions to this unofficial chant rule, and certain choirs embellish their chants with harmonies and musical accompaniment on occasion.
  4. But, according to theologian John Paul II, it is only recently that Gregorian chant, which began to take shape in the ninth century, has been written down and kept for historical preservation.

The development of Gregorian chant is unlikely to have been a direct result of Pope Gregory I’s efforts, according to McDonnell, who described him as a “building pope” who helped reorder the liturgy in a more practical way, creating the artistic environment necessary for the establishment of some form of plainchant.

  1. Gregory the Great’s death that the music we know today as Gregorian chant began to develop, according to Dr.
  2. “In fact, most historians believe it was Pope Gregory II (715-731), who reigned about 100 years later, who was the Pope Gregory who actually had more of a hand in formulating this body of chants that we know today as Gregorian chant,” he said.
  3. Matthew the Apostle.
  4. John the Beloved, has made the chant a natural component of the liturgy.

McDonnell stated that “Gregorian chant has the potential to be extremely sophisticated, intricate, and convoluted, as well as possessing a high level of artistic merit.” However, much of its beauty may be found in the simplicity of the design and the fact that most of it is accessible to members of the congregation and children.” According to him, “everyone can learn to sing some amount of Gregorian chant,” and the church has organized the chants into categories based on their accessibility over the years.

  1. There are numerous chants that are intended to be sung by the faithful as part of their participation in the liturgy, and those chants are every bit as much Gregorian chant as the more florid and complex ones,” says the author.
  2. St.
  3. The chant is more effective because of this technique, in some ways,” says the author.
  4. According to him, the causes of these waves are unpredictable.
  5. “When the popes returned from Avignon (a period from 1309 to 1376 during which seven popes resided in Avignon, France, rather than in Rome), the city was in utter disarray, and the culture of Rome had to be reconstructed,” he explained.
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As a result, we witnessed the resurgence of Gregorian chant.” The Renaissance polyphony of the 16th century, with its intricate texturized harmonies, became the dominant music in the church and for a time superseded Gregorian chant, according to McDonnell, who believes that the Renaissance was a period of cultural restoration.

Then, in 1947, Pope Pius XII released his encyclical “Mediator Dei” (“On the Sacred Liturgy”), which encouraged active involvement by the laity in the liturgy while also strengthening the use of Gregorian chant, according to historian Black.

The use of Gregorian chant was advocated for in papers produced during Vatican II in the 1960s; but, as the Latin Mass was replaced by the vernacular, most parishes opted for music that was more in tune with popular culture, such as praise and worship and folk genres, according to McDonnell.

When “Chant,” an incredibly successful CD produced by the Benedictine monks of Santo Domingo de Silos, Spain, was published in the 1990s, interest in the practice was once again piqued, according to him.

Gregorian chant is no longer the dominant force in parish life as it once was, but according to McDonnell, if history repeats itself, it is in the process of regaining its former prominence and might once again become a mainstay of church music.

What are the three types of Gregorian chant? –

Types. A Gregorian chant’s type is determined by the amount of notes sung to each word and is classified into three categories. Syllabic chants are characterized by the presence of only one note per syllable. A typical neumatic chant has two or three notes per syllable, whereas an average of eight notes are used to make up one melismatic syllable (see Figure 1).

Why was medieval chant known as Gregorian chant?

There was a style of monophonic music called Gregorian Chant, which was named after Pope Gregory (590-604), who ordered the chants into a certain sequence and had them published and distributed to churches all throughout Europe and the Roman Empire, which had accepted the Roman Catholic heritage.

What is the dynamics of Gregorian chant?

This free-flowing melodic style is characteristic of a Gregorian chant. The chant progresses upward and downward in little increments and jumps within a limited range. Melodies are frequently melismatic in nature, in that syllables are stretched across numerous notes. Harmony – Because Gregorian chants are monophonic in texture, they do not contain any harmonic elements.

What did Gregorian chants Organum add?

This was an important breakthrough since it introduced a second line of melody to the single notes of the Gregorian chant, which was previously lacking.

Why is it called organum?

Organum, plural Organa, initially any musical instrument (later, in particular, an organ); the term, however, gained its permanent significance during the Middle Ages in reference to a polyphonic (many-voiced) arrangement of Gregorian chant, performed in certain styles and with particular instruments.

What is the difference between Gregorian chant and organum?

Around the year 700, the Gregorian chant began to take shape. From 700 to 900, composers would write a line in parallel motion to the chant at a predetermined interval of a fifth or a fourth above the original line, resulting in a total of nine lines. From 900 until 1200, this technology underwent considerable development. Organum is a term used to describe a Gregorian chant to which additional lines have been added.

What is the Gregorian chant used for?

Gregorian chant is a type of liturgical music that is either monophonic or unison in nature, and it is used to accompany the text of the mass and the canonical hours, also known as the holy office. Gregorian chant is named after St. Gregory I, who reigned as Pope from 590 to 604 and was responsible for its collection and codification.

Is Gregorian chant still used today?

The Roman Catholic Church still believes Gregorian chant to be the most appropriate music for worship, even though it is no longer required by law. Gregorian chant saw a renaissance in both the musicological and popular realms throughout the twentieth century.

What is Gregorian chant most closely associated with?

It is still considered the most appropriate music for worship by the Roman Catholic Church despite the fact that it is no longer mandated by law. When it comes to musicology and popular culture, the 20th century has seen an upsurge in Gregorian chant.

What is a chant?

The Roman Catholic Church still considers Gregorian chant to be the most appropriate music for liturgy, even though it is no longer required.

Gregorian chant saw a renaissance in both musicological and popular popularity during the twentieth century.

Is Gregorian chant medieval period?

Plainchant is another term used to describe Gregorian chant. It is music that is monophonic, which implies that it has a melody that is composed of only one note at a time. The practice of Gregorian chant started in Europe throughout the Middle Ages, which refers to the era from about the 5th century and the 15th century. Because it was Catholic Church music, the objective of the performance was ceremonial in nature.

What does Gregorian mean?

1: pertaining to or associated with Pope Gregory I 2: pertaining to, resembling, or exhibiting the qualities of Gregorian chant

What are the characteristics of Gregorian chants?

Gregorian chants have certain characteristics.

  • Harmony. Because the texture is monophonic, there is no harmony. Rhythm. There is no definite rhythm
  • Notes may be maintained for a short or long period of time, but no complicated rhythms are utilized
  • There is no precise beat
  • Form. Some Gregorian chants are written in ternary form
  • For example, Texture. Gregorian chants are one of the few pieces of music that are totally monophonic
  • They are also one of the most often performed. Medium

What do you notice about medieval music?

Music throughout the Middle Ages was both holy and profane in nature. During the early medieval period, the liturgical genre, which was dominated by Gregorian chant, was largely monophonic in nature. While the majority of early motets were liturgical or religious in nature, by the end of the thirteenth century, the genre had broadened to encompass secular subjects such as courtly love and other similar topics.

What is an example of medieval music?

Traditional vocal music, such as Gregorian chant and choral music (music for a choir of singers), instrumental music, and music that incorporates both voices and instruments are all examples of Medieval music, according to Wikipedia (typically with the instruments accompanying the voices). Catholic Mass was celebrated with the singing of Gregorian Chant, which was performed by monks.

How is music related to history?

Music is an important aspect of a country’s culture and “personality” (or even a geographic region). We may also look at history from a different perspective by considering the types of music that were popular during a certain historical time. Jazz, for example, is an excellent illustration of the picture, the texture, and the spirit of the Roaring ’20s.

What did Perotin add to music?

In addition to two four-part compositions, “Viderunt” and “Sederunt,” he is known to have created another four-part piece, “Mors,” which is considered to be his work. In addition, he expanded upon the Magnus liber organi, a collection of organa compiled by his predecessor, Léonin, and introduced new approaches to the use of rhythm in his works.

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How many voices do you hear in Viderunt Omnes?

There are four voices.

What does polyphony mean in music?

In computing, polyphony refers to the greatest number of notes that a keyboard or sound module may generate at the same time. For example, if you wanted to play a 3-note chord with a 1-note melody, you’d need a keyboard that could support at least 4-note polyphony.

What is Perotin famous for?

He was a composer affiliated with the Parisian Notre Dame school of polyphony and the larger ars antiqua musical style of high medieval music. Pérotin (fl. c. 1200) was a composer who lived during the Middle Ages. He is recognized with furthering the polyphonic techniques of his predecessor, Léonin, via the introduction of three- and four-part harmonies, as well as the development of polyphonic practices.

Who invented Organum?

Although the early motets were mostly written in Latin and meant for church use, bilingual motets (French–Latin, English–Latin) based on secular and holy texts, or a combination of the two, began to appear in the 19th century.

It was especially prevalent in the late 13th century because the motet was secular in its appended texts, which were frequently completely written in French.

What are the earliest polyphonic works called?

It is properly referred to as a “organum,” which is a sort of early polyphonic music based on plainsong in which an accompaniment was sung above or below the melody.

Gregorian Chant Resources and History

  • Aiming to promote the study and performance of Gregorian chant in accordance with the “Gregorian Semiology” approach pioneered by Dom Eugène Cardine, the International Gregorian Chant Studies Association (AISCGre) now has German, Italian, and Spanish language sections. There is a bilingual site containing news about upcoming events, a bibliography, typefaces for chant notation, and much more information that is of interest. Associazione Viri Galilaei choir and supporting organization in Florence, Italy, performing chant at the Duomo
  • Canticum Novum choir in Florence, Italy, singing chant at the Duomo Instruction in the gregorian chant
  • It is possible to find chants in selected manuscripts and early printed materials of the liturgical Office by searching the database CANTUS: A Database for Latin Ecclesiastical Chant. CANTUSGREGORIANUS.COM is a website maintained by the University of Western Ontario in London, Ontario, Canada. In this publication, the “Saint Michael the Archangel” Association of Stroncone describes the research, teaching, and musical initiatives undertaken by the association in the study of sacred music from the Middle Ages, with particular attention paid to its sources, execution methods, and the liturgy, all of which were integral to the music’s existence. Presented in both English and Italian
  • Data pool for Gregorian chant study
  • David Hiley, Regensburg, Germany
  • Chant Christ in the Desert Monastery, New Mexico, USA
  • (Gregorian chant CD). Gregorian Chant CDs that are one-of-a-kind, lyrics to many renowned Chant songs, and free samples to download
  • Sheets of Chants for Use by Celebrants For priests who are singing the Orations and Readings of the Mass, The Chant Kit is a sacred music resource site dedicated to restoring Gregorian chant to its proper place in Catholic liturgical music. The Windsor Tridentine Mass Community has developed a resource to assist priests in singing the Orations and Readings of the Mass. With the Chant Kit, you get two professionally recorded CDs with corresponding sheet music, as well as a brief tutorial on how to chant. Ensemble Trecanum is a classical music ensemble that performs music from the Renaissance to the present day. The group was founded in December 1996 by Etienne Stoffel, a prizewinner of the National High Conservatoire of Paris and a student of two monks from the Solesmes Abbey, Dom Eugene Cardine (d. 1988), who was Father at the Pontifical Institute for Sacred Music in Rome, and Dom Jean Claire, a former choral conductor of the Solesmes Abbey. France. Gloria Dei Cantores is a group of singers that perform for the glory of God (Singers to the Glory of God) It is dedicated to honoring the great history of sacred choral music that spans the centuries from Gregorian chant to the twenty-first century Grégoire is a piece of software. Gregorian Chant is written using a computer software
  • Association of the Gregorian Calendar The Plainsong Society was established in England in 1870 to encourage the study and practice of plainsong. University of Toronto’s Gregorian Institute Research and instruction are carried out in order to promote the study and performance of Gregorian and other western chant repertoires in the country of Canada. Presented in both English and French
  • The Notation of the Gregorian Chant – LPH Resource Center This website provides an explanation of the classic Gregorian Chant notation, so that anybody may read it and sing it
  • is an example of this. Site dedicated to the Gregorian Chant in Brazil, in Portuguese
  • The Norbertine Fathers of St. Michael’s Abbey in California have produced a series of Gregorian Chant albums. Notation for Gregorian Chant Description of the traditional Gregorian Chant notation, so that anybody may learn to read and sing the notation
  • Gregorian Chant E-mail List
  • Gregorian Chant Website A mailing list dedicated to the discussion of the use of Gregorian chant in its natural context: as the music of the Christian church for the worship of the Almighty. What kind of chanting is done in your church? What is the best way to get started learning to read chant notation? Can you tell me about the courses and books that are available? The Gregorian Schola information and connections
  • Information on congregational singing as well as scholas of chant GregorianikLiturgik links and more from St. Joseph’s Parish in Fayetteville, Arkansas, United States. Internationalen Gesellschaft für Studien des Gregorianischen Chorals AISCGre
  • International Association for Studies of Gregorian Chant
  • Germany
  • International Association for Studies of Gregorian Chant Downloads of the Latin Mass Society Chant There is a large range of Ordinaries, the Asperges, and a number of additional useful chants to choose from
  • Page dedicated to Luis’ Gregorian Chants The Benedictine monks of the Mosteiro de So Bento in So Paulo, Brazil, perform live mp3 recordings on a Brazilian Web site maintained by Luis Henrique Camargo Quiroz. The Medieval Music Database at La Trobe University contains Gregorian chants from the Dominican (Ordo Praedicatorum) tradition, as well as information on Scribe notation software
  • It is maintained by the University of Melbourne. Nota Quadrata is an abbreviation for Nota Quadrata. Dedicated to musical notation from the late Middle Ages, the Nota Quadrata project provides an introduction to square notation as well as monthly updates on continuing research. Resources for Orthodox Music
  • The Sarum Rita and Its Application Essay by Reverend Canon Professor J. Robert Wright on the Sarum Rita and Its Application. PDF files necessitating the use of Adobe Reader or a similar
  • Books and CDs about Gregorian Chant are available from Paraclete Press. This organization represents the most authentic study and devotion in the subject of Gregorian chant today
  • The St. Laurentius Digital Manuscript Library at the Lund University Library in Sweden is a treasure trove of manuscripts. Ordinaries of the Gregorian Chant of Sainte Antoine Daniel (Kyriale)
  • The Church Music Association of America provides free sheet music, chant books, and hymns for download. Resources for chanting in both English and Latin languages
  • Topics covered by the OSB include: Bibliography and websites related to Gregorian Chant Richard Oliver, of the Order of St. Benedict in Collegeville, Minnesota, United States
  • RADIO SETTINGS Gregorian broadcasting Gregorian chants 24 hours a day, seven days a week through Windows Media Player in FM Stereo quality
  • St. Joseph’s College Chant Institute, Rensselaer, IN
  • Women in Chant: The Choir of Benedictine Nuns at the Abbey of Regina Laudis

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