How To Sing Gregorian Chant

How to Read and Sing Gregorian Chant

It is likely that not everyone will agree with all of the concepts, findings, and methodologies presented in this section. However, it is anticipated that some of the lessons learned would be of assistance. As time goes on, the lessons will be built upon, and even more examples will be given to further illustrate the points. Additionally, if readers spot any typos or grammatical issues, these can be remedied. — Jeff Ostrowski, in the month of June 2012 Anyone can learn to read Gregorian chant with a little practice and dedication!

There is little question that some vocalists will benefit from completing the following courses “out of sequence.” Lesson 1: The Principles of “Movable Do” Introduction to “Movable Do” Lesson 2: Intervallic Relationships in Mathematics Do Clef and Fa Clef are the third and final lessons.

Scandicus (Lesson 8) In this lesson, you will learn about ecclesiastical pronunciation of Latin.

Lesson 11: Reflections on the Gregorian Rhythm Rare recordings from the Gregorian Congress of 1904, including Don Antonio Rella.

  • (video) — Dom Joseph Pothier, “Gaudeamus” as an introduction Alleluia “Assumpta est Maria” – Dom Joseph Pothier, recorded in 1904 (video).
  • (video) “Optimam partem,” as Dom Joseph Pothier put it, “is the best way to start a new day.” The recording dates back to 1904.
  • Alleluia “Fac nos innocuam” — Dom André Mocquereau, recorded in 1904 (video).
  • (video) Dom André Mocquereau’s “Resurrexi” serves as an introduction.
  • (video) Dom André Mocquereau’s “Haec Dies” is a recurring theme.
  • (video) “Pascha Nostrum” — Dom André Mocquereau, Alleluia, “Pascha Nostrum” The recording dates back to 1904.
  • Treatment of the Solesmes Ictus and the ArsisThesis in Great Detail Is it possible to sing Gregorian Chant in English?

A simple guide to singing Gregorian chant

The Benjamin T. Rome School of Music, which is a division of The Catholic University of America, has a motto that reads, “Skills for Life,” which means “Skills for a Lifetime.” These three words serve as a simple reminder to their pupils that the musical talents they develop are an investment, one that may provide them with beauty and delight for the rest of their lives. These abilities may get rusty if not exercised for a period of time, but music is similar to riding a bicycle in that you never forget the methods since they are ingrained in your muscle memory.

  1. In truth, the notion of a music school is a relatively recent one in the world of education.
  2. These approaches are still quite useful for comprehending music, and we would like to share some suggestions on how you might improve your own singing abilities in your spare time using these ways.
  3. For those of you who are new to singing and unsure of your talents, there is a fast video available on YouTube that can assist you in determining your level of ability to sing.
  4. Record the highest and lowest notes you are comfortable singing, and at the end of the video, you will be able to see where your voice falls within the conventional voice parts of bass, baritone, tenor, alto, mezzo soprano, and soprano.
  5. In the low, repetitive Bass notes, a light, flexible Mezzo Soprano would be squandered, and a Tenor would be unable to achieve the high notes of a real Soprano with the same ease.
  6. A lot of the songs in this early kind of music follow the same tropes and have similar styles, which makes it easy to identify them.
  7. This will make it easier for you when it comes time to really begin singing when the time comes.

Take the time to listen to each track many times to let your ear to become accustomed with the melodies; you may be surprised to discover that when you begin singing a song you’re already familiar with, everything falls into place pretty fast.

Step three: Locate your sheet music.

Many people are unaware that the majority of sheet music, particularly historical and holy music, can be accessed for free online by conducting a simple Google search on the subject.

Musica Sacraprovides a wide collection of Gregorian chants that may be downloaded for free from their website.

Not everyone is capable of reading sheet music, which makes understanding Gregorian notation all the more difficult to master.

Notes are mainly used to mark the tone of a song, rather than to indicate a certain meter.

Performing written music is quite similar to performing mathematical calculations, and once you’ve grasped the fundamentals, singing a piece of music you’ve never heard before will seem like a piece of cake.

Gregorian chant is explained in detail in a short video that is well worth your time.

The melody is familiar, and you’re becoming more comfortable with the sheet music; all that remains is the most crucial aspect of every musician’s life: practice.

With regular usage, your voice will get clearer and stronger, and within a few weeks, you’ll find yourself holding notes for considerably longer periods of time and with greater ease than you ever have before.

“Practice, Practice, Practice,” as the saying goes. Even if you don’t make it to Carnegie Hall, Gregorian chant could get you into the chorus at Mass if there are a few more voices surrounding you. Give them some beautiful Gregorian chant, and they’ll be grateful to you.

Best Gregorian Chant Tutorials

Chanting is something that everyone can learn. For years, very young boys learnt to sing this by ear, simply by hearing it again and over. It’s crucial to remember that this was the case for generations. Now that we have so much technology to assist us, anyone anywhere in the world who has access to the internet and the capacity to read may learn to recite the Vedas. Lately (and for some months now!) the Gregorian chant and Latin postings on my site have received practically all of the traffic, so I wanted to add some more for all of you who have decided to go on this exciting journey with me.

You are capable of doing this task.

I’ll make good on my commitment.

Intro to Gregorian Chant

  • The wonderful people at the Corpus Christi Watershed have created a lovely how-to series to help trainees from the very beginning: How to Read and Sing Gregorian Chant (in English). Lessons that are easy to understand, including audio samples and integrated videos! No matter how scared or out of your element you may feel, this series is for you. It takes you by the hand and guides you through the process of learning to hear and see more clearly. Excellent
  • The Priestly Fraternity of St. Peter’s (FSSP) United States seminary’s website contains a wonderfulSolfege Introduction, which simply and clearly teaches the fundamentals of reading chant notation. Here are some fantastic exercises for practicing intervals and neumes, which are available in both audio and PDF format. It’s thorough and informative
  • The Church Music Association of Americahas always been my go-to resource for prints, books, and other materials, and I spend a lot of time on their wonderful discussion forum. They have a PowerPoint presentation about Gregorian Chant that is (silently) presented. Scroll down to the “Tutorial on Chant Pitch” section, which is located under theTeaching Aids: General Useheaders. (As a point of reference, there is a misprint on the webpage that says “Tutorial on Chant Patch”). It succinctly and admirably describes the workings of chant, from melodies to modes
  • The Church Music Association of America also includes a PDF of a very valuable old book on the same page referenced above: Basic Gregorian Chant and Sight Readingby Sister Mary Demetria, which may be downloaded for free (1960). If you can’t locate it, scroll down to the heading “Teaching Aids,” then to “For General Use,” and it will be listed after the fourth bullet in that section

Practicing Specific Pieces

  • When you are attempting to study certain chanthymns, you will find this website atGregorian Chant Hymnsto be of great assistance to you. For a fee, you may download sheet music for dozens of chant hymns that are organized alphabetically by title and connected to video, audio, and other resources. Superb
  • CCWatershed’sKyriale is a good place to study the basic sections of Holy Mass (the Mass Ordinaries). You’ll find video, audio, and scores for vocalists and organists in this section. This was really beneficial to our nascent schola
  • CCWatershed also provides tools for learning the varying portions of the Mass in Gregorian chant (the Mass Propers), which may be found here. Gregobase is a fantastic library of Gregorian Chant scores that is always being updated. There are zillions of chants of various types, with many different variations (Vatican, Solesmes, etc.) The document is cross-referenced and includes translations… Everything is available for download and printing… You will not be disappointed
  • ThePsalm Tone Toolis for when you need to find out how to produce the sounds and melodies for sections of the Divine Office, which vary seasonally and daily, as well as Mass Propers and Readings
  • It is just a great location on the internet. Someone I know believes that the creator of this database must have been inspired by the angels. I’m inclined to agree with you

Wishing you the best of luck! It would be wonderful if I could have been there, singing with you, wherever you are–but from here, I will pray for all of your efforts, and may we all be able to join in with the choirs of angels one day! Amen.


Welcome: SelectHYMNStab to go right to the music and records section. There is a rich legacy of hymns and other devotional chants that have been used for centuries in the Roman Catholic Church’s celebration of Feast Days and during the Liturgy of the Hours. As a result, several hymns (e.g., Adoro te Devote, Ave Maria) have survived in either Latin or translated forms in many subsequent hymnals, and as a result, they are still performed in the liturgy. A great number of wonderful hymns have been lost over time, although they are still performed in monasteries and lovingly remembered by older generations.

  1. Contributors to this website are schola directors who are riding the wave of enthusiasm that has swept over the country.
  2. In our teaching experiences with choristers, we saw that they were highly interested in and readily learnt hymns; however, we noticed that there were no freely accessible free downloads.
  3. In the current era, recordings serve as the modern transmission of an auditory tradition.
  4. Individuals with just little musical instruction are more than capable of mastering difficult hymns.
  5. Among those who heard this hymn were those who (a) discovered that they could learn new music, (b) learned that there were many lovely Catholic hymns to choose from, (c) were exposed to the Liturgy of the Hours as a result of these hymns.
  6. All ages and objectives can benefit from using it as an instructional tool (e.g., teaching individuals, choirs, parishioners, or for listening pleasure).
  7. In the event that you have any queries, you may write an email to:[email protected]
  8. Please consider contacting one or more of the Abbeys listed below and making a contribution to them if you have benefited from this initiative and would want to express your appreciation.

We also recommend that you pay a visit to these abbeys. Every attempt has been taken to get permits for all sheet music and audio recordings, and/or to utilize sheet music that is available in the public domain whenever possible.

Gregorian Chant Resources

It is possible that this content contains affiliate links. I only advocate goods that I personally use and enjoy.

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Why Gregorian Chant is Amazing

I have to admit that the majority of my exposure to Gregorian Chant has not been in the Church, but rather in choral settings. The director would frequently pick a piece from the performance to teach us about unison singing, pure vowels, or non-metered type music when we were in college. Some of the pieces I’ve sang at Mass were frequently included in the missalette and were quite simple to include into the service. I especially love it when the priest would sing the “Lord, Have Mercy” and the “Our Father” in those chant-like settings, since it makes the service more meaningful to me.

Additionally, it makes them extremely attractive and calming.

Gregorian Chant and Latin Masses are Making a Comeback!

In all honesty, it has not been in the Church that I have gained the most exposure to Gregorian Chant, but rather in choral settings. The director would frequently withdraw a piece off the stage to teach us about unison singing, pure vowels, or non-metered type music when we were in college. Some of the pieces I’ve sang at Mass were frequently included in the missalette and were rather simple to include into the service. That is why I truly like when the priest would lead us in a chant-like setting to sing the “Lord, Have Mercy” and the “Our Father.” As a result, the old petitions in the Mass are presented in a more straightforward and reverent manner in my opinion.

Brief History of Gregorian Chant

Chant was first recorded in the 6th and 7th centuries, and was named for St. Gregory 1, who was also a pope at the time. The Alleluia and a form of Psalm were the first pieces to be created, followed by the Kyrie, Agnus Dei, Gloria, and subsequently all of the other Mass propers. Of course, they were revised and rewritten several times, but the core structure of the message and its goal stayed the same throughout the process. From the origins of chant flow sequences and music for each of the eight canonical hours: Matins, Lauds, Prime, Terce, Sext, None, Vespers, and Compline, all of which are based on the Latin liturgical calendar.

That is astounding, and it is something to keep in mind as we proceed through the remainder of this piece.

Characteristics of Gregorian Chant

In the fact that it combines so many of the fundamental forms of music into its parts, Gregorian Chant is particularly appealing to music nerds everywhere, which makes it a must-listen for all of us. You can learn more about the qualities of:

  • Form (such as ABA or AABB, for example)
  • Melody (often in haunting and striking patterns)
  • Monophony (singing only one line of music)
  • Different church modes of music (including different scales with a different interval for each)
  • Rhythm (or lack thereof, which allows them to be more free in a sense)
  • Timbre (most chants are written for male voices)
  • And other characteristics.

How to Sing Gregorian Chant

Gregorian Chant is a difficult piece of music to sing in and of itself.

While looking at a page of chant may appear straightforward, it is in fact rather intricate in its own right. You might want to ask yourself a few questions in order to determine whether or not Gregorian Chant is something that you or your parish would be interested in doing.

What Are You going to Chant?

If you’re thinking about singing the Mass propers in a chant, it’s absolutely possible to accomplish this goal. Beautiful and easy renditions of the Mass propers can be found in hymnals as well as on the internet. Furthermore, certain missalettes or hymnals will supply you with the chant music as well as the English translations, so if studying Latin is a scary prospect for you, you can consider taking this path rather than learning it yourself. My first exposure to additional chant propers was during Lent (particularly during Holy Week), when Masses were more serious in atmosphere.

Is it easy to sing Gregorian Chants?

Some people could look at the music and think, “Yeah, that’s simple enough.” However, there is a procedure, as well as a shape and a purpose, for each. Aside from that, you must learn how to interpret music in a somewhat different way depending on how it is written. Know how to read music? Do you know how to read music? Isn’t it a little different this time? For those interested in studying Gregorian Chant, there are several resources, videos, and suggestions available. Gregorian Chant is really beneficial, and this will assist you in figuring out the technicalities of the practice.

Free Online Chant Resources

  • It’s possible that some people may look at the music and think “Yeah, that’s simple enough.” Every step has a procedure, a structure, and a purpose. Apart from that, you must learn to read music in a somewhat different way depending on how it is composed. Know what you’re doing when it comes to reading this music? Isn’t it interesting how things are different now? For those interested in studying Gregorian Chant, there are several websites, lessons, and resources. Gregorian Chant is quite beneficial, and this will assist you in understanding the mechanics of the practice. All right, here’s a rundown of the options:

Other Chant Resources

Musica Sacra is a group that publishes a comprehensive list of pieces to be performed during the Mass on their website. It includes both the older and more complicated music, as well as the reduced versions that may be appropriate for smaller parishes with fewer financial and human resources. This website is the one-stop shop for all things Latin Chant! The Parish Book of Chant– This PDF, offered by Musica Sacra, is a great resource for those who wish to include Parish Chant into their Masses and ceremonies.

Videos from the Latin Mass Society– I’ll give you an example with the link to a video on Gregorian Chant, but you can also subscribe to their channel and have a look around if you’d like!

Music from the Gregorian Chant– Listen to and watch individual Gregorian Chant hymns.

Gregorian Chant Tutorial– There are four classes in this online tutorial that will perhaps help you learn the fundamentals of chanting a little better.

Examples of Gregorian Chant

In order for you to hear some instances of Gregorian chant, I’ve created thisYouTube Playlist for you.

Numerous monasteries and religious groups throughout the world continue to employ this kind of music today. I’ll include some of their recordings, as well as the Latin Mass propers, which are widely performed in churches. Enjoy!

Gregorian Chant is Timeless

I understand that not everyone will include chant into their Masses or daily life at some time, but it is absolutely something to think about. Many Catholic churches in the United States have returned to traditional Latin Masses, including these timeless pieces of chant into their services. Chant is a beautiful kind of music to listen to, a complicated form of art to look at, and a difficult form of singing. It is relaxing and contemplative, and it has a long history in the Church’s history, spanning centuries.

Make use of the resources I’ve provided to assist you in locating what you’re searching for!

Posts related to this one:

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  • Our Role as Ordinary People
  • Among the best cantor books available on Amazon are: How to Learn Cantoring for Complete Beginners
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A Beginner’s Guide To Singing Gregorian Chant Rhythm and Solfeggio: Jones, Noel, Jones, Ellen Doll: 9781453768761: Books

A little excerpt of the material is available; double tap to view the complete excerpt. Double touch to view the abbreviated content if the full material is not accessible. He began participating in and singing in daily Mass at his native church when he was twelve years old. During the summers, he attended summer sessions at a Benedictine monastery where he studied Gregorian Chant. The Church Center for the United Nations in New York City employed him as an accompanist for the United Nations Singers and as an organist when he was 17 years old.

  1. As a member of the Madison Avenue Presbyterian Church choir, which had eight singers from the Metropolitan Opera Studio as its core, he also had the chance to tutor vocalists who were auditioning for musical parts in the New York region.
  2. While serving in the United States Army, he accompanied the US Army Chorus at Fort Knox, Kentucky, and served as organist in chapels at both Fort Knox and Fort Gordon, Georgia.
  3. Christopher’s Anglican/Episcopal Church, which shared a building with the Old Catholic Church of St.
  4. He also served as organist for the Old Catholic Church of St.
  5. In the months before he was discharged from the Army, he directed a musical for Frankfurt Special Services.
See also:  Which Of The Following Statements About Gregorian Chant Is True

In the years following his military service, he worked as musical director for a German production of Hair in Hamburg, and later as guest director at the Bremen Stadttheater, where he directed “The Me Nobody Knows,” which had its German premiere there and featured Donna Gaines, who would later go on to become better known as Donna Summers, as the lead actress.

  1. In Berlin, he sang at recital with an American mezzo-soprano from the touring cast of Porgy and Bess, who had previously performed in the work’s world premiere in Moscow during the Cold War, an event that was covered by Life Magazine at the time.
  2. This cast member was featured on the cover of Life Magazine when he was a little boy, as the Catholic son of the president of an African country who was receiving communion at the time.
  3. As a student at the Cleveland Institute of Music, he trained vocalists and accompanied lessons for Eleanor Steber of the Metropolitan Opera and Lorenzo Malfatti, among other notable artists.
  4. At the Opera Barga in Italy, he instructed singers in roles in both Italian and French.
  5. Aside from conducting the Saint’s Day Festival Concert Choir and Soloists in Barga, he also played for Masses in the Duomo in Milan.
  6. A chapel created by architect Maya Ling Yin was dedicated at Alex Haley Farm in Tennessee, which is currently owned by the Children’s Defense Fund.
  7. The organ for the chapel was designed and voiced by him, and he performed with the late soprano Bridget Hooks, who was well-known for her Mahler performances, at the ceremony’s conclusion.
  8. Jones rejoined the choral director’s chair at St.
  9. He has stated that the choir may be the most hardworking Catholic chorus in the United States, based on his observations.

The hymnal has been given the IMPRIMATUR designation.

Learning Gregorian Chant

« Previous|Next|About Learning Gregorian Chant Are you interested in learning how to chant the Gregorian chant? Interested in learning more about holy music? Are you drawn to the beauty of liturgical chant and holy polyphony? If so, here is the place for you. As a result of our own personal experience with this process, we are well aware that each of these inquiries is followed by an avalanche of worries and concerns. Please bear with us as we relate with you our own personal stories of how our interest in, curiosity about, and attraction to Gregorian chant led us to where we are today in our careers.

  • It’s something I’d really like to learn.
  • Relax.
  • None of us were enrolled in a music program at the time of the interview.
  • Individuals who first struggled to vocalise the notes of the scale were finally able to sing an interval with patience, devotion, and perseverance, as well as a battery of weekend sessions.
  • So don’t be concerned.
  • But I’m swamped with work.
  • Don’t be concerned.

No, we are not telling you this in order to dash your aspirations of ever deepening your experience with Gregorian chanting.

Do not be disheartened.

We were busier with schooling back in 2009 than we are now, but by the wonderful grace of God, we were nevertheless able to master the rudiments of singing at the very least, as Pope Saint John Paul II recommended.

We battled our way through all of the conceptual and practical ambiguities of the field, while while battling to satisfy academic deadlines at the same time.

When we stop thinking about Gregorian chant as a goal to be achieved, time ceases to be a hindrance to our progress.

Taking the initiative to decrease our wasteful online activity—such as stalking crushes on Facebook, watching kitten videos on YouTube, and like minimalist garnishes on Instagram—we may find that the passage of time favors our efforts to recover a birthright that is rightfully ours.

For over two millennia, we have gathered in church on Sundays and major feast days to sing the ancient chant that once inspired generations of Catholics and resulted in the creation of numerous saints.

The majority of our leisure time is spent attempting to deepen our understanding of holy music.

To a certain sense, it was more difficult for us back then when we didn’t show up for choir practice on time.

Please make full use of these materials, which are among the few truly beneficial things that we can access through the Internet.

If principles and conceptions, as well as the paradigms they describe, are not put into practice, they are meaningless.

In this section, we want to emphasize the critical relevance of training and practice.

In the archipelago, where Gregorian chant and Latin are considered taboo in the typical neighborhood feel-good parish, we’ve been told that the chances of encountering any are quite remote.

We implore you, however, to be patient with us if we are unable to position oneself in front of insurmountable hurdles that may affect our availability.

Geographical limitations, on the other hand, constrain our ability to go beyond a certain radius.

As a result, we urge that those of you who are interested and who are willing to make the sacrifice come to the Masses where we are serving.

Gregorian chant and the Traditional Latin Mass are both deeply personal devotions for us, and personal sacrifices are at the core of both.

In many cases, it is a thankless and alienating commitment.

But I’m still worried that people will judge me if I sing in a different style.

As a result, we advise you to take it easy once more.

Instead, we sing to bring them closer together.

The Liturgy is a learning experience in and of itself.

According to the Doctor of Grace’s rule, “Who bene cantat, bis orat,” “Who bene cantat, bis orat.” The chant suited to the Liturgy, which is to say Gregorian chant, should be, in the words of Fulvio Rampi, “the Liturgy itself in chant.” In other words, liturgical chant should be “the Liturgy itself in song.” The process of learning is a series of steps.

  1. We get back up and try our best not to fall down again, placing our faith in the Lord’s providential care.
  2. More importantly, it is preferable to accept these critiques as an opportunity for learning rather than as a source of self-humiliation, regardless of whether the remarks were intended to be such.
  3. Unlike a show choir, we at aschola cantorum are not devoted to the objectives of a show choir.
  4. One individual has referred to our “indiscreet polyphonies” as “cacophonous,” while another has referred to us as “the worst choir” on more than one occasion.
  5. Last but not least, the music appropriate to the Church is entirely vocal.
  6. It is also not a result of our extrapolations based on intellectual reasoning.
  7. Permit these words to soak in for a moment, and then think about the enormous gap that exists between what Holy Mother Church teaches and what various congregations really practice.
  8. We hope you will be able to assist us in our endeavor, and we hope to be able to assist you in yours.
  9. Pope John Paul II’s message for the celebration of the XVIII World Day of Peace was released on November 21, 2006.
  10. Audience with Pope Benedict XVI, General Audience (4 May 2011).
  11. Il canto gregoriano: un estraneo a home sua (Il canto gregoriano: an estraneo a casa sua, 16 January 2013):Chiesa (2013).

Pope Pius X, Apostolic Letter givenmotu proprioTra le sollecitudini(22 November 1903):ASS36 (1903-4)336; Apostolic Letter givenmotu proprioTra le sollecitudini(22 November 1903):ASS36 (1903-4)336.

Neumz – Gregorian Chant

WHAT EXACTLY IS NEUMZ? Neumz is the only comprehensive recording of all Gregorian Chant available anywhere in the world today. More than 7000 hours have been invested in an app for iOS and Android devices. The whole Gregorian chant repertoire, recorded by the community of Benedictine sisters of the Abbey of Notre-Dame de Fidélité in Jouques, in the French region of Provence, is available online. Each chant is synchronized with its square-note score, the Latin text, and a translation into the user’s native tongue, as well as the rest of the program.

The contents of the Psalter, Lectionary, Collectary, Antiphonary, Responsoriary, and Gradual are compiled into a multimedia “Liber Digitalis” chant book that incorporates 21st-century technology.

Divine Office

  • The first prayer of the day (Ad Matutinum) congratulates (Ad Laudes) Hours that aren’t important (Ad Tertiam, Ad Sextam and Ad Nonam) Vespers is a service held at the end of the day (Ad Vesperas) Ad Completorium (Ad Completorium)
  • Compline (Ad Completorium)

Mass Ordinaries and Propers

  • Chants from the Ordinary can be found in all their variations. The characteristics of the three-year Novus Ordo cycle include:Votive Masses

Full Liturgical Calendar

  • Chants from the Ordinary can be found in all of their variations Features of the Novus Ordo cycle, which lasts three years:Votive Masses


Complete daily audio recordings of the Sisters of Notre-Dame de Fidélité in high-definition quality are available here.


Follow along with the square note score for each chant, which scrolls in time with the music.


From the Latin text on the facing page to the localized versions, which are now accessible in English, Spanish, French, and Italian


To listen to the chants of the hour, sign up for a free account here or through the Android and Apple mobile applications.


  • Receive a free download of Mobile Applications in Radio-Mode
  • Recordings totaling over 2000 hours
  • Score to follow along with
  • All Latin texts
  • Translations where applicable
  • Play on Demand is not available at this time. Switch on or off customized alerts for significant Feasts and the Hours of the Divine Office (which will be available soon)
  • Favorite chants (to be released)
  • JOIN
  • Everything in Radio
  • Play on Demand
  • Everything in Television
  • Unlock the whole calendar year
  • Mobile applications are offered with a free membership. Listening when not connected (coming soon)
  • Pro search by chant type, name, use, source, and CantusID (which will be available shortly)
  • Upgrade audio to losslessmaster quality (which will be available soon)
  • Offline mode, download to device (will be released soon)
  • Playlists that can be shared and personalized are in the works.
See also:  Undertaker What Chant


Annually save and charge your customers. Get two months for free!

€59.99 / Year

  • JOIN
  • A free subscription to Mobile Apps is provided
  • Everything is in Patron

By the end of 2021, the entire three-year liturgical cycle will be accessible for download. While we finish recording and integrating the chants to our database, we are providing a discounted cost of 7.99 €/month to new Patrons who sign up before the end of 2021. After that, it will pay the full amount of 8.99 €/month to become a Patron. Your membership fee will be locked in at the rate you selected at the time of enrollment until 2022. The Sisters and their foundation, Notre Dame de l’Écoute in Benin will benefit from two-thirds of the subscription fees, which will be used to assist them and their work.

  1. Navigate through the day by day using the traditional solar calendar.
  2. Toggle Night Mode on or off to make your screen darker.
  3. Change the language and the size of the text.
  4. Located on a hill overlooking the Durance River, the Abbey of Jouques is a community of forty-five nuns who live a life apart from the hustle and bustle of daily life, in connection with nature, and in calm contemplation.
  5. Benedict, helps to keep their lives on track.
  6. Their years are aligned with the seasons of the Earth as well as the Liturgical Calendar, which is a cycle of feast days that commemorate the Church’s Saints and allows them to dwell on Holy Scripture.
  7. It contains the whole Gregorian repertory, which includes thousands of different pieces of music (the equivalent of more than 7000 CDs).
  8. The Chants are a collaboration between Odradek Records and artists from across the world.
  9. genuine noises such as the creak of wooden seats, the occasional coughing fit, the dropping of prayer books, and bell tolls are interspersed with the recordings of clear solo voices.” “The American had a daring notion while studying music at Oxford, and he pursued it.

Today he wants to get the chant out of its hallowed isolation and introduce it to everyone, so that they too may learn to know the ‘basis of the western musical tradition’.” “The nuns in the community, which was established in 1967, hope that the proceeds from the recording project will enable them to better fund their Abbey’s daughter-house in Africa, as well as to provide ‘peace, consolation, hope, and a sense of communion’ to those who have been isolated by the coronavirus pandemic.” The app will not be completely finished until 2022, when we will have collected the rest of the chants from the Abbey and put them all together.

  1. However, we hope that, in the meanwhile, it will provide our users with a rich and interesting experience as well.
  2. This year is year A, and our recordings began in 2019, making them the first of the C-years.
  3. The Abbey of Notre-Dame de Fidélité of Jouques is located in the French region of Provence.
  4. The convent was founded in 1967 by sisters from the Abbey of Saint-Louis du Temple of Limon, and it became an autonomous priory in 1970, before being elevated to the status of abbey in 1981.
  5. Mother Marie Monique Guttin, the third abbess of Jouques, was chosen to the position on August 3, 2017.
  6. For further information, please see
  7. The Greatest Love Song Ever Written and Performed It has been sung continuously for more than 1000 years.

Their beginnings date back to the eighth century, and they spread fast throughout Europe.

Neumes, derived from the Latin word for sound, are symbols that indicate one or more sounds in notation.

The whole day is centered on the Mass, which serves as its primary axis, and is interrupted by hours of prayer from the Divine Office, also known as the Liturgy of the Hours, which is celebrated every hour of the day.

The Office (or Hours) prayer is determined according to the development of the sun’s path.

Saint Benedict mandated in his Rule that the monks must sing the complete Psalter, or book of Psalms, once a week, and this has been done since the 6th century, when the Psalter was first published.

  • The service begins at five in the morning with two or three Nocturns, followed by breakfast and personal prayer.
  • 3. Terce: at 10: 30 in the morning (on holy days), followed by Mass and then work
  • After lunch, rest and reading time, the second day begins at 12.45 p.m.
  • At 5.30 p.m., Vespers will be held, followed by Chapter (a communal reunion) and recreation.
  • 8 p.m. is the time for Compline, which is followed by the Great Silence of the night.

8 p.m. is the time for Compline, which is followed by the Great Silence of the Night.

“Christe Redemptor omnium”

“Because the Lord was born before the beginning of time, we should have no need to be afraid in the face of the dangers that threaten us from every direction.” Certainty, in the midst of a world that is so chaotic and devoid of any stability, we must keep the eyes of our faith, our charity, and our hope open, believing that you are the “Redeemer of all things,” as you say in the Bible. More information can be found at

The hymn “Ut queant laxis” and the invention of Solfège by Guido d’Arezzo

Guido d’Arezzo, who was born in the last decade of the 10th century, was a monk and music instructor at the Benedictine Abbey of Pomposa in Tuscany. The denial of prompted him to leave the situation. More information can be found at

Complete Gregorian Chant – In the Palm of your Hand – Pentecost Launch!

Guido d’Arezzo was a monk and music instructor at the Benedictine Abbey of Pomposa, where he was born in the last decade of the tenth century. The denial of prompted him to leave, though. More information can be found at

“The contagion of hope”

Perhaps, like the experience of living in a monastery, days might seem like weeks and weeks can feel like weeks for many of us at the moment, similar to the experience of living in a monastery. There are other Gregorian chants. More information can be found at

Message from the Community about Coronavirus

We regret that we are no longer able to welcome worshippers to our abbey’s church as a result of the steps implemented to control the spread of the Coronavirus. We extend our sincere apologies for this inconvenience. However,. More information can be found at

CNP’s Online Catalog – A Plain and Easy Introduction to Gregorian Chant

Format:BookMedia:Wire-bound, soft cover (104 pages)Dr. Susan Treacy, Professor of Music at Ave Maria University, has written a clear, useful introduction to the art of singing Gregorian chant.Coming from practical student use at Franciscan University of Steubenville, this book offers both information and technique on the music that holds “pride of place” in Roman Rite liturgy. It is intended as a very basic introduction to Gregorian chant and its notation for Catholics who would like to be able to follow the call of Vatican Council II to “devout and active participation” and “to say or sing together in Latin those parts of the Ordinary of the Mass which pertain to them.”The pedagogical method employed is based on the method of chanting developed in the late nineteenth century by the Benedictine monks of the Abbey of Saint Peter of Solesmes, France.

Specifically, most of the chant repertoire in this book is oriented toward actual liturgical use, and is intended to help Catholics to chant their parts at Mass and the Liturgy of the Hours.In addition to ten chapters that deal with the basics of chant notation and the modal milieu in which chant occurs, the eight appendices are a treasury of reference material:Contents (104 pages):

  • Preface
  • Table of Abbreviations
  • Bibliography
  • Chapter1 —The Fundamentals of Chant Notation
  • Single Neums
  • Chapter2 —Binary, Ternary, and Compound Neums
  • Chapter3 —Binary, Ternary, and Compound Neums
  • Chapter4 —Binary, Ternary, and Compound Neums
  • Chapter5 —Binary, Ternary, and Compound Neums
  • Chapter6 —Binary, Ternary, and Compound Neums
  • The rhythm of Gregorian Chant (Chapter 3)
  • Modality in Chant
  • RE Mode
  • Chapter 4 —ModesModality in Chant Introduction to Psalm Tones
  • Latin Accents Phonics
  • Chapter 5 — Latin Accents Phonics MI Mode is covered in Chapter 6
  • FA Mode is covered in Chapter 7. SOL Mode is covered in Chapter 8. Chapter 9 —Some Additional Gregorian Psalm Tone Variations
  • Chapter 10 — Chanting the Ordinary and Propers of the Mass
  • Appendix 1 — Glossary of Terms
  • Appendix 2 —Summary Tables of FinalsDominants of the Church Modes
  • Appendix 3 —Summary of the Church Modes
  • Appendix 4 —Summary of the Psalm Tones
  • Appendix 5 —Summary of the Psalm Tones
  • Appendix 6 —Summary of the Psalm Tones
  • Summary of the Ecclesiastical Pronunciation of Latin (Appendix 5)
  • Appendix 6 —A Guide to Setting Latin-English Words to the Gregorian Psalm Tones
  • Appendix 7 —Chant Anthology
  • Appendix 8 —The Degrees of Participation in Musicam sacram (1967)
  • Appendix 9 —A Guide to Setting Latin-English Words to the Gregorian Psalm Tones
  • Bibliography should be chosen

A PlainEasy Introduction to Gregorian Chantcan offer you valuable information on the Church’s own music, particularly if you’re starting a schola in your parish.Susan Treacy, Ph.D., joined the faculty at Ave Maria University in Naples, Florida, as Professor of Sacred Music after having taught at Franciscan University of Steubenville and Luther College. She was named Chairman of the Department of Music in Fall 2006. She holds a Ph.D. in historical musicology from the University of North Texas, an M.Mus.

in voice from Oberlin College Conservatory of Music.

Treacy writes a regular column,Musica Donum Dei, for theSaint Austin Review(StAR).

Treacy directs the Women’s Schola Gregoriana at AMU.

She was a member of the editorial committee forThe Adoremus Hymnaland is on the board of the Church Music Association of America. OrderingInformation



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