Keep Yourself Alive – Wikipedia
|“Keep Yourself Alive”|
|A-side label for the UK vinyl single|
|from the albumQueen|
|B-side||“Son and Daughter”|
|Recorded||June-November 1972 atTrident Studios|
Queen’s song “Keep Yourself Alive” is a rock song written by the British rock band Queen. It is the first tune on the band’s self-titled first album, and it was written by guitarist Brian May. (1973). “Son and Daughter” was published as the B-side to this song, which served as Queen’s first single. Keep Yourself Alive was virtually neglected upon its debut, as neither the United States nor the United Kingdom charted the single. In 1974, it was re-released as the non-album B-side of ” Lily of the Valley “, which was a hit for the band.
Writing and recording
According to Mark Hodkinson, author of Queen: The Early Years, the song “Keep Yourself Alive” was developed on acoustic guitars during Queen’s rehearsal sessions at Imperial College in the garden at Ferry Road in 1970, and it was recorded the following year. At the time, the band consisted of lead singerFreddie Mercury, guitarist Brian May, and drummer Roger Taylor. Queen had not yet secured a regular bassist, and the group was still searching for one. The band’s 1977 albumNews of the World was featured on a radio program in which May explained that he had written the lyrics with the intention of them being sardonic and tongue in cheek, but that their meaning was radically altered when Mercury performed them.
- It was released in 1972.
- Almost all of the song’s ingredients were already in place, including Mercury’s call and response vocals (in the verses) and a line that Taylor sung and to which May responded at the intermission.
- In order to “recapture the enchantment,” they attempted multiple times before finally completing the “genuine” version at the world-renowned Trident Studios in Los Angeles.
- It has Mercury performing all of the harmony vocals in the chorus (which he multi-tracked himself) and May singing the phrase “two steps closer to my grave” in place of Mercury, among other changes (who did it live and in earlier versions).
- It should also be noted that this recording includes the words “Come on and grab it, get it, get it, get it, buddy, keep yourself alive,” which was not included in the original version of the track.
In 1970, during Queen’s rehearsal sessions at Imperial College in the garden at Ferry Road, according to Mark Hodkinson, author of Queen: The Early Years, the song “Keep Yourself Alive” was developed on acoustic guitars. At the time, the band consisted of lead singerFreddie Mercury, guitarist Brian May, and drummer Roger Taylor. Queen had not yet secured a regular bassist, and the band was still searching for one. The band’s 1977 albumNews of the World was featured on a radio program in which May explained that he had written the lyrics with the intention of them being sardonic and tongue in cheek, but that their meaning was utterly transformed when Mercury performed them.
- Brian May’s Hallfredh acoustic guitar serves as the entrance to this song, which was produced by Louie Austin and featured on the album.
- May’s favorite version of the song is the demo version that she recorded.
- That which was reasonably approved, and which was released as the single, was the one mixed byMike Stone.
- Although there are no acoustic guitar parts on this album, the printed transcription on EMI Music Publishing’s Off the Record’sheet music features at least seven electric guitar parts, one of which makes extensive use of phasing effects.
It should also be noted that this recording adds the lyric “Come on and grab it, get it, get it, get it, buddy, keep yourself alive,” which was not included in the original version of the track.
Release and reception
The song “Keep Yourself Alive” was released by EMI Records in the United Kingdom on July 6, 1973, a week before Queen hit the shelves. The single was released in the United States by Elektra Records on October 9, 1973, just a few months after it was released in the United Kingdom. “Keep Yourself Alive,” on the other hand, had minimal radio broadcast and was generally overlooked on both sides of the Atlantic; it failed to chart in either the United Kingdom or the United States of America. In the words of Queen writer Mark Hodkinson, despite the fact that “EMI’s pluggers sought to gain it place on the play list on five consecutive occasions,” they were rejected on each occasion, purportedly because the song “took too long to come together.” “Keep Yourself Alive” is the only Queen track to have failed to reach the top of the UK singles chart.
In its review of the song, New Musical Express applauded it for being “cleanly produced” as well as having a “decent voice,” and added that if Queen “looked half as good as they sound, they could be big.” The reviewer for Melody Maker believed Queen made a “excellent start with a strongly phased guitar beginning and an explosive vocal onslaught,” but he considered the song was unoriginal and unlikely to become a hit in the United Kingdom.
The critic for Discmagazine, on the other hand, believes that the single “should do well.” The drum solo on “Keep Yourself Alive” was commended, as was the song’s “attractively stilted, faintly Hendrix-y lead riff,” according to the critic.
In retrospect, “Keep Yourself Alive” is often regarded as the album’s standout track, and it certainly is.
plays like a sequence of ideas instead of short songs,” Stephen Thomas Erlewine of Allmusic said “there is an exception to that rule — the wild, rampaging opening ‘Keep Yourself Alive,’ one of their very finest songs.” The song was ranked 31st on Rolling Stone Magazine’s list of “The 100 Greatest Guitar Songs of All Time” in 2008, according to the magazine.
a full album-worth of riffs condensed into a single track.”
- Freddie Mercury sings the main and background vocals on the album. In the middle eight, Brian May plays electric guitar and sings lead vocals, with the rest of the band joining in. Roger Taylor performs on drums, percussion, tambourine, cowbell, lead vocals in the middle eight, and supporting vocals throughout the song. John Deacon is on bass.
Except when otherwise specified, all songs were composed by Brian May. 7-inch single from the United Kingdom released in 1973.
- “Keep Yourself Alive” is 3:47 minutes long
- “Son and Daughter” is 3:20 minutes long
- And “Keep Yourself Alive” is 3:47 minutes long.
Australian 7″ single from 1974.
- “Keep Yourself Alive” (censored) – 3:47
- “Son and Daughter” (censored) – 3:12
- “Keep Yourself Alive” (censored) – 3:47
- “Keep Yourself Alive”
Reissue of a 1975 US single on 7″ vinyl.
- “Keep Yourself Alive” (Freddie Mercury) – 3:29
- ” Lily of the Valley (Freddie Mercury) – 1:35
- ” God Save the Queen (traditional, arr. May) – 1:15
- ” Keep Yourself Alive” (Freddie Mercury) – 3:29
- ” Keep Yourself Alive” (Freddie Mercury)
- Mark Hodkinson is the author of this work. The Beginnings of the Queen’s reign. The Omnibus Press is a publishing house that publishes a variety of books on a variety of topics (2004). This is the third edition. ISBN1-84449-012-2
- Mark Hodkinson is a writer who lives in the United States of America. The Beginnings of Queen. Presses such as Omnibus Publications are among the most well-known and respected in the publishing industry today (2004). The third edition has been published in the form of a hardcover. ISBN1-84449-012-2
We Will Rock You by Queen – Songfacts
- Mark Hodkinson is the author of this piece. The Beginnings of the Queen’s reign The Omnibus Press is a publishing house that publishes a variety of books (2004). The third edition. ISBN1-84449-012-2
Queen’s ‘Don’t Stop Me Now’
The Early Years of Queen The Omnibus Press is a publishing house that publishes a variety of books on a variety of subjects (2004). This is the third printing. ISBN1-84449-012-2;
Call and Response Songs
These are songs that invite listeners to sing along with the entire song or portions of it. Taylor Swift is number 22 on the list (chorus) Bruno Mars’ “24k Magic” is a song from the album 24k Magic. Robert Palmer’s song “Addicted to Love” is a good example of this. Pinkfong is a baby shark. The Violent Femmes’ “Blister in the Sun” is out now. Blue (Da Ba Dee) – Eiffel 65, Paris. Queen performs Bohemian Rhapsody. Boost My Morale Buttercup – The Foundations of a Relationship Carly Rae Jepsen’s song “Call Me Maybe” Sia’s Cheap Thrills is a song from her album Cheap Thrills.
- Joe Satriani performs a crowd chant.
- Don’t Give Up on Your Dreams – Journey Jimmy Buffett’s fins are a good example.
- Britney Spears’ hit single “Hit Me Baby One More Time” The Rembrandts’ song “I’ll Be There For You (Theme from Friends)” This is Where I’m Going to Be (500 Miles) – The Proclaimers Twisted Sister’s “I Wanna Rock” is a rock song.
- BIZ MARKIE: Just A Friend (Remix) Idina Menzel’s song “Let It Go” is a good example of this.
- B-52’s song “Love Shack” More Than a Feeling – The City of Boston My Own Worst Enemy – Literary Fiction Rick Astley’s “Never Gonna Give You Up” is a hit song.
- Miley Cyrus performs at a party in the United States of America.
- Santeria – Awe-inspiring Taylor Swift’s song “Shake it Off” (bridge) The Isley Brothers’ “Shout” is heard.
Kelly Clarkson’s song “Since U Been Gone” Nirvana’s “Smells Like Teen Spirit” is a classic.
(chorus) Blur (Song No.
Kenny Rogers performs the song “The Gambler.” In the Rocky Horror Picture Show, there is a time warp.
“Total Eclipse of the Heart” is a song written by Bonnie Tyler.
Twist The Beatles’ song “Shout” Uptown Funk is a song written by Mark Ronson and Bruno Mars.
Sister Sledge’s song “We Are Family” Was Love a Misunderstanding – Haddaway You didn’t even address me by my first name – David Allan Coe The band AC/DC performed “You Shook Me All Night Long.” The Outfield is where your love is. The dreaded Tag Team is finally revealed.
Best Queen Songs: 20 Essential Tracks From The Iconic Band
Fan participation in the form of singing along with the entire song or portions of it is encouraged in this kind of music. Taylor Swift is the 22nd person on the list (chorus) Bruno Mars’s “24k Magic” is a song from the album 24k Magic (24k Magic). Robert Palmer’s song “Addicted to Love” The Pinkfong (Baby Shark) The Violent Femmes’ “Blister in the Sun” Eiffel 65 in blue (Da Ba Dee) A tribute to Queen, Bohemian Rhapsody Increase My Confidence. Buttercup – The Building Blocks of Success Carly Rae Jepsen’s song “Call Me Maybe” is a hit.
- It Will Be There For You (Family Guy Theme) – The Rembrandts (500 Miles) — The Proclaimers, “I’m Gonna Be.” Twisted Sister’s song “I Wanna Rock” Rock and Roll Hall of Fame inductee Rick Springfield performs Jessie’s Girl.
- The City of Boston Is More Than A Feeling – The Enemy Within – Literary Fiction Rick Astley’s “Never Gonna Give You Up” Country, Western, and Western Swing.
- Awe-inspiring santeria Taylor Swift’s song, Shake it Off (bridge) The Isley Brothers’ “Shout” may be heard.
- (chorus) Blur (Song No.2) Neil Diamond’s song, Sweet Caroline (chorus) Guns N’ Roses’ song “Sweet Child of Mine” Gwen Stefani performs “Sweet Escape” Song by Lynyrd Skynyrd: Sweet Home Alabama Skynyrd Take Me Home, Country Roads (John Denver, Take Me Home).
- (crescendo of chorus) Tequila – The King of Spirits.
- Ke$ha’s Timber – Bonnie Tyler’s “Total Eclipse of the Heart” Chumbawumba is a tubthumping rhythm.
Old Crow Medicine Show – The Wagon Wheel Sister Sledge’s song “We Are Family.” Haddaway’s “What Is Love?” It was the first time you addressed me by my first name – David Allan Coe All Night Long, You Shook Me — AC/DC In the Outfield, there’s your love! The dreaded Tag Team has arrived!
20: Father To Son (1974)
While the band’s second album, Queen II, contained some excellent songs, such as “Seven Seas Of Rhye” and “Ogre Battle,” the track “Father To Son,” written by Brian May and featuring his trademark sizzling guitar work alongside some deft piano playing from Freddie Mercury, stands out as the album’s standout track. Featuring some edgy lyrics on the duty fathers have to their sons, this power ballad is one of the greatest songs for Father’s Day. It’s available on iTunes. ” alt=””> ” alt=””>
19: Innuendo (1991)
The single “Innuendo” was the first single released from the album of the same name (and the last album that Freddie Mercury worked on before his death, in 1991). When Brian May, drummer Roger Taylor, and bass player John Deacon got together in Switzerland, they came up with an idea for a song that would go directly to No. 1 in the United Kingdom. When Mercury and Taylor finished adding words to the song, they began working on an elaborate orchestral arrangement for it, which included a flamenco interlude performed by Steve Howe, the guitarist from Yes.
In addition, the album’s last track, “The Show Must Go On,” was a monument to Mercury’s fortitude in the face of a crippling disease.
18: Fat Bottomed Girls (1978)
Some of the songs on Queen’s 1978 albumJazz stretched the edges of what was possible. In “Fat Bottomed Girls,” a bluesy rock number delivered with enthusiasm by Mercury, the band proves that they are a natural crowd-pleasing act. ‘Bicycle Race,’ which had a controversial video of naked models cycling through Wimbledon Greyhound Stadium, was published as a single in conjunction with the song, which was also released as a single. Mercury was inspired to write “Bicycle Race” after watching the Tour de France competition.
17: I Want To Break Free (1984)
The promotional video for John Deacon’s infectious pop song “I Want To Break Free” became embroiled in a controversy when it was released. This was Taylor’s idea, which was to have all of the band members dress in drag for the video, in order to mimic the long-running British television soap opera Coronation Street. May stated that they were subjected to an unanticipated response in the United States, which included the video being banned by MTV. ” alt=””> ” alt=””>
16: A Kind Of Magic (1986)
Roger Taylor’s hit single “A Kind of Magic” was released as a lead-in single to the album of the same name. The song revealed that Taylor was in the middle of a creative frenzy, following the success of “Radio Ga Ga” a year earlier and “Don’t Lose Your Head” (also for theA Kind Of Magicalbum). While Mercury’s clever pop arrangements help to make his lyrics memorable, the song was written for the soundtrack of the filmHighlander (the line “It’s a kind of magic” is uttered in the film by Christopher Lambert’s character), and the song’s catchy lyrics are aided by clever pop arrangements from Mercury.
Russell Mulcahy, the director of the Highlander film, directed the music video for the song. ” alt=””> ” alt=””>
15: Tie Your Mother Down (1977)
John Deacon stated that his favorite song by Brian May was the groovy “Dragon Attack,” and one of the most popular was “Tie Your Mother Down,” which was written by Brian May for Queen. When Queen recorded their fifth studio album, A Day At The Races (which, like A Night At The Opera, was named in tribute to the Marx Brothers), they were well on their way to becoming one of the biggest rock bands in the world, and the rollicking “Tie Your Mother Down” became a staple at Queen’s live shows. After the song’s primary lyric line was written, Mercury remarked that May must have been “in one of his terrible moods” when Mercury came up with it.
14: One Vision (1986)
On A Kind Of Magic, the title tune, “Who Wants To Live Forever,” and “Friends Will Be Friends” were among the standout tracks, as were “Who Wants To Live Forever” and “Friends Will Be Friends.” But it was the song “One Vision,” which brimmed with confidence and demonstrated the band’s revitalized togetherness following their Live Aid success in July 1985, that distinguished the album as a real return to form.
The single “One Vision” reached at No. 7 on the UK singles chart. ” alt=””> ” alt=””>
13: I Want It All (1989)
Brian May’s marriage had ended, and he was in a relationship with actress Anita Dobson around the time of the writing of “I Want It All” in 1989. Brian May was the lead singer of Queen. The lines “I want it all and I want it now” were said by EastEnders actor Dobson, and it was these words that inspired May to write a powerful song. The avarice and ambition of some sectors of the country in the 1980s seemed to be captured by the music of the time. There are several songs where May sings and duets with Mercury, and the lyrics, which include lines like “I’m a guy with a one-track mind/so There’s much to achieve in one lifetime,” have struck a chord with the general audience.
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12: You’re My Best Friend (1976)
It was 1976 when Deacon’s magnificent love ballad “You’re My Best Friend,” written for his wife, Veronica Tetzlaff, became a top-ten smash on the charts. Despite Mercury’s remark that the Wurlitzer electric piano was “a dreadful instrument,” Deacon performed on the song with a Wurlitzer electric piano. The death of Mercury caused Deacon to withdraw from the public eye and continue to live a peaceful life with his wife and their children in a London suburb after Mercury’s passing. ” alt=””> ” alt=””>
11: Hammer To Fall (1984)
“Hammer To Fall” was the third song that Queen performed during the awe-inspiring Live Aid event in London in 1985. When guitarist Brian May wrote the song during a period of renewed Cold War tensions between the Soviet Union and an America led by President Ronald Reagan, he was thinking about growing up “in the shadow of the mushroom cloud.” The song is a powerful rocker that references nuclear tensions with a line about growing up “in the shadow of the mushroom cloud.” ” alt=””> ” alt=””>
10: Don’t Stop Me Now (1979)
In the opulent “Don’t Stop Me Now,” Mercury demonstrated his vocal variety and prowess as a performer. The song, which was written for the albumJazz, peaked at number 10 on the Billboard Hot 100 in 1979. The album was recorded in France, where Mercury had a thriving social life and had a great time.
This music demonstrates a confident leader who delights in singing his own joyful lines, such as “They call me Mr. Fahrenheit/I’m moving at the speed of light,” on this tune. Mercury’s unbridled joy of pleasure-seeking was captured in the song. ” alt=””> ” alt=””>
9: Was It All Worth It? (1989)
The poignant song ‘Was It All Worth It?’, which appeared on Queen’s critically acclaimed 1989 album The Miracle, is an introspective meditation on the life of a rock’n’roll star. Mercury informed the band that he had been diagnosed with AIDS shortly after the recording session was ended. “I don’t want to speak about it,” Mercury said Taylor, according to Taylor’s memory. My only desire is to get on with it and work till I f king well drop. “I’d appreciate it if you could provide your support to me in this.” ” alt=””> ” alt=””>
8: Somebody To Love (1976)
Queen’s ability to generate excellent soulful, gospel-flavored music is demonstrated on “Somebody To Love.” Mercury’s lyrics, which were about the search for salvation and spiritual restoration, made for an excellent first single from the A Day At The Racesalbum, which peaked at No. 2 on the Billboard Hot 100 list. Mercury’s admiration for Aretha Franklin served as a key source of inspiration for the song. ” alt=””> ” alt=””>
7: We Are The Champions (1977)
A rousing rendition of Mercury’s “We Are The Champions,” taken from the albumNews Of The World in 1977, is one of the most instantly recognizable rock anthems in history. In a poll conducted in 2005, it was even chosen the most popular song in the world. It is frequently chanted by sports fans, and it served as the official theme song for the 1994 World Cup in Italy. “The song is meant to be a celebration,” drummer Taylor explained. “We Are The Champions” is intended to be sung as a collective noun, as in “all of us,” rather than “we the band.” With more than a thousand members of Queen’s fan club present, the video for the song was shot in a theatre on Drury Lane in London for the music video.
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6: Another One Bites The Dust (1980)
After attending a Queen concert in Los Angeles, Michael Jackson went backstage and recommended that Deacon’s song “Another One Bites The Dust,” from the band’s eighth studio album, The Game, would be a good fit for the pop charts. The single was released in October 1980 and reached the top of the charts for three weeks. ‘I always believed there was a moment when we were the biggest thing on the planet,’ said May, adding that the song ‘Another One Bites The Dust’ “kind of cinched it because it immediately moved over to the black R B market,” he said.
5: Under Pressure (1981)
It was during an unplanned jam session at Mountain Studios in Montreux, Switzerland, when Freddie Mercury and David Bowie came up with the idea for this rousing duet. Mercury and Bowie made fun of one other by joking about who should have the loudest voice. With Deacon providing a pulsing bassline, and the spontaneity of the song, which includes Mercury’s scat singing, the song becomes addictive. It was important to Bowie and Mercury that they could not hear what the other was singing, so they swapped verses blindly in order to contribute to the improvisation.
‘OK, let’s each of us go into the vocal booth and sing how we believe the melody should go – just off the top of our heads – and then we’ll construct a vocal out of that,’ David remarked when the background track was finished.” This gorgeous pop tune debuted at No.
1 in the United Kingdom. In 1992, Bowie sang it as part of a memorial performance to Mercury. ” alt=””> ” alt=””>
4: Crazy Little Thing Called Love (1980)
It was during an unexpected jam session at Mountain Studios in Montreux, Switzerland, when Freddie Mercury and David Bowie came up with the idea for this tremendous duet. Mercury and Bowie made fun of one other’s vocals, joking that whomever had the loudest should win. In addition to Deacon’s throbbing bassline, there is an addictive sense of spontaneity throughout the song, featuring Mercury’s scatting vocals. It was important to Bowie and Mercury that they could not hear what the other was singing, so they swapped verses blindly in order to contribute to the improvised performance.
‘OK, let’s each of us go into the vocal booth and sing how we believe the melody should go – just off the top of our heads – and then we’ll construct a vocal out of that,’ David stated after the background track was completed.” When it came to the United Kingdom, this gorgeous pop tune reached number 1.
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3: Killer Queen (1974)
Known as “Killer Queen,” this extravagant song about a high-class prostitute was included on Queen’s album Sheer Heart Attack and demonstrates the band’s amazing ability to compose precisely synchronized music. The record peaked at No. 2 on the Billboard Hot 100 chart in October 1974, giving Queen their first US success. The song featured all of the ferocity for which Queen had become famous. “You almost expect Noel Coward to sing it,” Mercury sarcastically said. May considered the album to be a “watershed moment” in the band’s discovery of the sound they desired.
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2: We Will Rock You (1977)
“We Are The Champions” and “We Will Rock You” have become cultural monuments in the same way as anthems are. They were taken from the News Of The Worldalbum and released as a double-A-side single, which peaked at No. 2 in the UK and No. 4 in the United States of America. In 2000, the song was recorded by the boy band 5ive, which included guest appearances from Brian May on guitar and Roger Taylor on drums. The song peaked at No. 1 on the Billboard Hot 100 chart. “With the release of “We Will Rock You,” we cemented our status as a rock anthem band,” May explained.
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1: Bohemian Rhapsody (1977)
The six-minute epic “Bohemian Rhapsody,” composed by Mercury for the albumA Night At The Opera, is widely regarded as a masterpiece of twentieth-century musical composition. Mercury sings his inventive song with real verve, and he overdubbed his voice until it sounded like a choir, with the words “mamma mia,” “Galileo,” and “Figaro” bouncing up and down the octaves as he sings. Mercury sings his inventive song with real verve, and he overdubbed his voice until it sounded like a choir. “When I heard ‘Bohemian Rhapsody,’ I was green with jealousy,” Björn Ulvaeus, of the band ABBA, recalled.
“Bohemian Rhapsody” is the only song to have reached Christmas No.
It initially reached the top of the Christmas charts in 1975, and it returned to the top 16 years later, following Mercury’s death.
Do you think we forgot to play a song? Would you have liked to have heard something fromMade in Heaven, such as “Too Much Love Will Kill You” or “Flash Gordon?” Please share your thoughts in the comments section below.
Art from the Attic: Queen Brings Out the Funk
The 18th of November, 2016 This generation remembers David Bowie and Freddie Mercury from Queen’s collaborative hit, “Under Pressure,” as “the one that sounds like ‘Ice, Ice Baby,'” which peaked at the top of the United Kingdom charts in 1981. The song “Under Pressure,” despite its unfortunate link with a rap song from the 2000s, is one of the most breathtaking songs recorded by either artist to date. The global words of the ballad are still appropriate in any situation and in any age today. It is a song about joining together as a community to support one another no matter what is going on.
- The excellent song was included on an equally amazing album, Queen’s “Hot Space,” which was released in 1992.
- In “Back Chat,” which has bass lines, rhythm guitar solos, and synthesizer backing that are evocative of the pop culture funk classic “Funky Town,” that influence can be heard right away.
- In the song “Dancer,” composed by Queen guitarist Brian May, the band truly “brings out the funk,” embracing it rather than simply presenting the type of music.
- May’s marriage of funk guitar with rock solos, on the other hand, is the most effective example of the two styles coming together.
- The band’s decision to depart from their characteristic sound infuriated a large number of fans, not just because “Hot Space” sounded different, but also because the band seemed to be different.
- Although not by much, the second half of the album is a bit more palatable for those who have fallen off the bandwagon.
- “Cool Cat,” another classic Freddie track, allows that all-too-familiar falsetto to bellow and run amok all over the place.
It was with the release of “Hot Space” that the band members secured their status as rock and roll superheroes, and it was with this release that they began their path of proving to audiences that they can, in fact, play it all as the best band in the game. @Megshulse
Songs Taught in the Oral Tradition of Call and Response
In Sing for Joy, we learn songs through the oral tradition of call-and-response, rather than through the use of sheet music or written text. Songs from a wide range of cultures and backgrounds are included in this collection, which reflects the diversity of our collective roots, origins, and inspirations. We sing songs with a variety of topics — songs of courage and justice, songs of beauty and peace, songs of comfort and healing, and so on. A selection of the songs that we perform as a group in Sing for Joy may be found below; please enjoy!
), and where we first heard it (if we can remember).
BELE MAMA is a female character in the film.
This CD was made by the Gettin’ Higher Choir, which is based in Victoria, British Columbia.
It’s a beautiful song for paying tribute to the environment and all those who came before us, including our first nations people, our ancestors, and countless other beings who have trod this ground before us.
For additional information on this song, please see: www.laurencecole.com.
2nd section: With reverence and respect, we remember the ancient ones who walked this ground before us.
The music was composed by Peter McKenna in the 1970s, and the words are considered to be hundreds of years old.
On the Hawaiian island of Kauai, here is a tape of Mila’s Song Circle at Singing Alive, which she led.
ONE UNITED VOICE Ruth Moody of the Wailin’ Jennys, a Canadian trio from Winnipeg, Manitoba, wrote a wonderful three-part harmony for this song, which she performs in three parts.
Click here to listen to a recording of the three harmonies spoken in conjunction with the words.
This song’s first verse has the melody (middle voices), its second verse contains the low-voice section, and its third verse contains the high-voice section.
For the final three verses, all of the singers are on the same page.
LET US BE AWARE OF THE BEAUTY This song was written by Laurence Cole, and the lyrics were taken from a poem by Oriah Mountain Dreamer, titled “The Invitation.” The music is by Laurence Cole.
A small amount of improvised embellishment adds a little something more to this piece as well.
Part 1 of the lyrics is as follows: “Let us see the beauty every day, and let it be the wellspring of our life.” The second part is as follows: I’m curious if you can perceive the beauty even when the world around you isn’t particularly attractive.
Although the lines are thought to have been borrowed from a poem by Wendell Berry, the provenance of the song is not totally certain at this time.
Here is a recording of the Joyful Earth Choir, which is based on the island of Orcas.
When I fall, please allow me to fall gracefully, like a leaf.
Listen to the original recording below, and click here for more information, which includes lyrics, sheet music, and the complete backstory.
This is the song’s lyrics: “And I will sing this song.” And then I’ll raise my eyes to the nighttime sky.
I believe I’ve regained my footing once more.
Thich Nhat Hanh, a Zen Master, wrote the following words.
Part 1: Take a deep breath in, and take a deep breath out (repeated) Part 23: When I take a breath, I breathe in tranquility.
ONE BY ONE, ONE BY ONE Andrew Foley, a Canadian singer-songwriter, is the author of this song.
I’ve included two recordings below for your listening pleasure: Sing for Joy’s Sing for Joy choir performs both the original song by Andrew Foley and the 2-part harmony version.
Sing for Joy Choir performs 2-Part Harmony on this recording.
According to the translation, “Unquestionably, you are the son or daughter of my Mother.” We sing it in a two- or three-part harmony, and it is quite upbeat!
It came to her while she was on a wilderness quest, where she was instructed to walk blindfolded and barefoot to the beat of a drum, which she did.
The version of the song featured on this recording was led by Vanessa Richards, who was leading a gathering of the Ubuntu Choir Network in Victoria, British Columbia.
In the meantime, let yourself be lost.
Listen for the drumming on the other side of the river and let yourself be lost in the moment.
As we prepare to celebrate the Winter Solstice, we have been learning about it together.
Josh Fox’s full song is available for purchase on iTunes.
Helen Yeomans from the United Kingdom has written a fantastic two- or three-part layer song.
Part 2: Home, I’m going home, I need the land to heal my soul.
DISCOVER HOW TO LIVE In a group setting, this song is particularly enjoyable because of the three-part layering.
Music: Part 1: Learn to live your life with all of your heart, all of your soul, and all of your mind, and to love all of humanity as you would yourself.
Part 2: Learn to live your life with all of your heart, all of your soul, and all of your mind, and to love everyone and everything.
We have happy lives to live, open arms to give, and hope deep down inside us because we do reside in love, as evidenced by the third section of the poem.
It is performed as a lullaby or as a “gentle tease.” The harmonies should be introduced first, and then the solo layer should be added after that.
MALAMA I KA HONUA MALAMA I KA HONUA MALAMA I KA HONUA This song is based on a chant from the islands of the Hawaiian people.
Part 1: Malama I Ka Honua (Malama I Ka Honua) (repeated) Aloha Aina, Aloha Eh, Aloha Eh, Aloha Aina (repeated) HELELE MAMA is an abbreviation for HELELE MAMA.
It originates in South Africa and is a celebration of the Great Mother in all of her manifestations.
Helele Mama is the song’s lyrics (repeated) WASHING WITH THE ANGELS Aimee Ringle and Aimee Kelley wrote this gorgeous song, which you can listen to below.
Every year, at a gathering called Singing Alive, it is utilized as part of the closing ceremony.
The lyrics are as follows: “I see you, beautiful one.” I take notice of you, child of the soil and the sun.
Allow my love to keep an eye on you.
An indigenous Maori man wrote the script for the film, which was developed over five years of conversations with indigenous people from all around the Polynesian islands.
May it be thus – tenor chant I wish it to be so – Soprano (Melody) Be it as it may – Bass I wish it to be so – Alto May it be – in conjunction with THE GROWTH OF TREES IS SLOW.
Trees Grow Slow Verse 1 and ChorusTrees Grow Slow Verse 2 and ChorusTrees Grow Slow Verse 3 and ChorusTrees Grow Slow Verse HarmoniesTrees Grow Slow Verse HarmoniesTrees Grow Slow Verse HarmoniesTrees Grow Slow Verse HarmoniesTrees Grow Slow Verse HarmoniesTrees Grow Slow Verse Harmonies