Which Term Is Synonymous With “gregorian Chant”

ch4 Flashcards

What is the phrase that is used to refer to “Gregorian chant”? During the Mass, the Ordinary is comprised of the five sung sections of the Mass, the words of which are always the same. Which composer is credited with writing a well-known Mass in honor of the Virgin Mary? Term The right definition of “melismatic singing,” which involves singing several notes to a single syllable of text, is as follows: T/F Gregorian chants such as O rubor sanguinis and A chantar m’er are two instances of such music.

Chaucer’s Christmas Oratorio was written for performance at the newly completed Notre Dame Cathedral in Paris during the Christmas season.

When performing the Kyrie of the Messe de Notre Dame, there is an alternation between passages of chant and portions of four-part polyphony.

The proper definition of “a cappella” is as follows: music for unaccompanied vocals Which of the following statements truly describes the motet?

  • Which of the following statements is NOT true about the notion of humanism?
  • When it comes to music, “Imitation” is best defined as the process through which one or more musical voices, or parts, enter and precisely copy exactly, for a length of time, the music provided by the preceding voice or parts.
  • changes for the Roman Catholic Church must be taken into consideration Identify the part of Josquin’s biography that is not accurate and why.
  • Which of the following statements about the Renaissance motet is NOT correct?

sung in the colloquial tongue of the nation in which the music was composed. Determine which of the following statements about the madrigal is incorrect. If a group of men or women sings it, it is never performed by a mixed group of people.

Chapter 5: Medieval Music, 476-1450 Flashcards

What best describes the melodic character of medieval music? Mostly moves by step within a narrow range and rarely uses the chromatic notes of the scale
What accurately describes the rhythmic style of medieval music? While some music is sung in notes of equal value and without clearly marked rhythms, polyphony is composed in triple meter and uses repeating patterns
The early polyphony of the Western Church, written between the 9th and the 13th centuries
What is a term that is synonymous with “Gregorian chant”?
The Ordinary of the Mass refers to. The 5 sung portions of the Mass for which the texts are invariable
What composer wrote a famous Mass in honor of the Virgin Mary?
Singing many notes to just one syllable of text
“O rubor sanguinis” and “A chanter m’er” are both exmaples of Gregorian chant. True or False?
– An innovative setting of the Ordinary of the Mass- All the movements are composed in 4-voice polyphony, with the tenor line singing the chant in longer tones- The harmony has a dark, dissonant sound, but each section ends with an open hollow-sounding consonant chord- It is the best-known work in the entire repertoire of medieval music
Hildegard of Bingen was a playwright, poet, naturalist, pharmacologist, abbot, and a visionary as well as a composer. True or False?
Who was active at the cathedral of Paris (Notre Dame) between 1198 and 1236, where he revised the “Magnus liber organi”, a collection of organum in which the newly composed melody complemented rather than duplicated the original plainchant?
Although Hildegard of Bingen was married to Count William of Poitiers, she loved the troubadour Raimbaut d’Orange for whom she composed numerous chansons. True or False?
In the “Kyrie of the Messe de Nostre Dame,” passages of chant alternates with sections of 4-part polyphony. True or False?
The song has no clearly articulated meter or rhythm, but is sung in notes of more or less equal length
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Another word for GREGORIAN CHANT > Synonyms & Antonyms

Table of Contents”>SynonymsAntonyms”>Table of Contents

1. chant

The verb chant or psalm is used to recite with musical intonation; to recite in this manner.

  • The verb chant or psalm means to recite anything with musical intonation.

Rhymes with Gregorian Chant

  • Transplant
  • svanzandt
  • svansandt
  • ssupplant
  • sreplant
  • simplant
  • srecant
  • spylant
  • slevant
  • slabant
  • sincant
  • senchant
  • sdecant
  • strant
  • sstant
  • sslant
  • sschrandt
  • sscant
  • squant
  • splante
  • splant
  • sgrant
  • sgrandt
  • sbrant
  • sbrandt
  • szant
  • szandt
  • syant
  • stant
  • ssant

2. chant

verb to utter in a monotone and repeated manner, as well as rhythmically

  • Chanter (Old French, 842–ca. 1400)
  • Cantare (Latin)
  • Chanter (Old French, 842–ca. 1400)

3. chant

Noun. a song that is repeated again and over again in which each tone is allotted as many words as are necessary

  • Chanter (Old French, 842–ca. 1400)
  • Cantare (Latin)
  • Chanter (Old French, 842–ca. 1400)


There were 129 synonyms detected. Pronunciation:,


Gregorian Chant (Gregorian Chant) (noun) Other terms that are relevant: (noun)

Other synonyms:

Other terms that are relevant:

  • Dyad
  • Double
  • Vii
  • Sextette
  • Talk
  • Babble
  • Chantey
  • Six
  • Abstain
  • Distich
  • Follow
  • Dual
  • Vi
  • Concomitant
  • Threnody
  • Scat singing
  • Medicine
  • Requiem
  • Scarper
  • Intonation
  • Hut
  • Countertenor
  • Attendant
  • Three-fold
  • Escape
  • Attach to
  • Lament
  • Prima donna
  • Blab
  • Strain
  • Brace
  • Jingle-j

Gregorian Chant Synonyms & Antonyms

  • Choose a language: Deutsch (German)
  • Espaol (Spanish)
  • Esperanto (Esperanto)
  • Deutsch (Spanish)
  • Deutsch (German)
  • Espanol (Spanish)
  • Espanol


Plainchant is a type of medieval church music that is characterized by the use of chanting or the singing of lyrics without the use of any musical accompaniment. Plainsong is another name for this type of music. You may be more familiar with the name Gregorian Chant, which you may have come across when reading about early music forms or heard about it during a church service or concert. Even though the phrases are sometimes used improperly as synonyms, Gregorian Chant is a type of plainchant that is derived from the Latin language.

Christian Tradition

In medieval church music, plainchant is a type of singing that incorporates chanting or words that are sung without the use of an instrument to accompany the singers’ voices. Plainsong is another name for it. Some of you may be more familiar with the phrase Gregorian Chant, which you may have come across while reading about early music styles, or you may have heard about it at a religious service. Even though the terms are sometimes used wrongly as synonyms, Gregorian Chant is a type of plainchant that is a variation of it.

Why Is it Also Called Gregorian Chant?

Plainchant is a type of medieval church music that consists solely of chanting or sung words, with no musical accompaniment. Plainsong is another name for this tune. Some of you may be more familiar with the phrase Gregorian Chant, which you may have come across while researching early music forms or heard about it at a church service. Gregorian Chant is a kind of plainchant, yet the phrases are sometimes used interchangeably, which is wrong.

Musical Notation of Plainchant

Ordinarily, modern music notation is written on five lines, whereas plainchant is written on four lines. It was also common to employ a sign known as “neumes” to express pitch and syllable phrasing. When it comes to the earliest types of plainchant, there is no trace of any notation.

Plainchant Today

Ordinarily, modern music notation is written on five lines, whereas plainchant is written on four. It was also common to employ a sign known as “neumes” to denote pitch and syllable phrasing in songs. Earlier kinds of plainchant were notated, but no such record exists for them.

Best 36 synonyms for chant

The most often encountered a unique synonym that is connected Drones are characterized as making a low sound continuously without pausing. A simple present indicative form of sound in the third person singular A mantra is defined as a word or phrase that is repeated over and over again, such as a prayer or chant. Sung in unison utilizing the Gregorian scale, this type of monophonicchant may be found in a variety of Christian churches across the world. A chorus is defined as a group of singers or a refrain in a song, according to the dictionary.

  1. emit or repeat in a singing tone or in extended, monotonous repetitions; sing Musician’s term for singing or reading (a liturgical text) in a monotone.
  2. Praising God via psalms; making music; singing; as, praising God through psalms.
  3. The production of the musical sound of:A phrase employed in ritual recitation; a vocal charm or spell; a verbal charm or spell To put (something) in a precarious position.
  4. hallel Using musical tones to express one’s thoughts or sounds In order to take part in religious acts of worship.

Discover 36 synonyms, antonyms, idiomatic phrases, and related terms forchant, including drone, noises, mantra (plainsong), chorus (anthem), sing-song (intone), song (cantillate), and carol (carols) on this page.

How Does Music Turn the Century?; Schoenberg Could One Day Sound as Remote as Gregorian Chant (Published 1997)

Section B, Page 7 of the original article from December 27, 1997, Section B, Page 7 of the reprinted version It is only available to home delivery and digital customers who have access to the TimesMachine. Few anniversaries in the new year can compete with the 900th birthday of the German nun and mystic Hildegard of Bingen, who was born on this day in 909 and died on this day in 917. Hildegard’s music, writings, and nostrums have rode a wave of international popularity in recent years that even a visionary like Hildegard could only have dreamed, let alone wished for herself.

  1. Even in the exclusive world of classical music, the millennium seems almost incomprehensibly large in comparison.
  2. For in classical music, perhaps more than in any other art form, the very concept of the “twentieth century” has taken on a significant amount of significance and taken on a life of its own.
  3. In the field of classical music, however, the twentieth century has numerous implications that are no less potent than the previous century.
  4. In the words of Christoph von Dohnanyi, music director of the Cleveland Orchestra, “that will be very interesting.” Von Dohnanyi has always placed a greater emphasis on works from the twentieth century than most mainline conductors do.
  5. The music of the twentieth century will undoubtedly be perceived in a new light as a result of this.
  6. Do you think its modernity, dulled by an ever-thickening layer of newer sounds, will look less intimidating to the typical music fan, maybe even quaintly old-fashioned in its appearance?
  7. However, is there any chance of a genuine break?
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In any event, it may be appropriate to begin taking stock of what exactly the concept of the twentieth century in music entails.

With Puccini’s “Tosca” and Mahler’s Fourth Symphony, the twentieth century started as a continuation of the previous one.

” According to him, the faculty was looking for works that dealt with the difficulties and complexities of the novel languages developed by Schoenberg and others.

Indeed, the thudding drums that were heard across the world come from Stravinsky’s primitivist “Rite of Spring” of 1913, which, together with the accompanying dance, nearly caused a riot in the crowd at the debut in Paris in 1913.

Classical music listeners appear to be falling behind their peers in the other arts, who have largely embraced the novelties of the twenty-first century, at least in this country.

In the words of Anne-Sophie Mutter, a violinist who has focused in contemporary music for the past decade, “There has always been an underlying connection between art and music.” As the visual component of culture grows in importance, it will become increasingly difficult for music — particularly challenging music — to gain acceptance into the ear and the spirit.

However, the most difficult tasks lay elsewhere, in the form of attempts to invent entirely new musical languages.

The idea here was to dismantle whatever assumptions that listeners could have had about melody and harmony through the course of centuries of growth of an ever more sophisticated tonal system, which was the purpose here.

In the visual arts and literature, the break with tonality is comparable to the break with representation, according to Eugene Drucker, a violinist with the Emerson String Quartet, which is currently in the midst of its second season of concerts, which includes Beethoven quartets interspersed with works from the twentieth century.

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But what would have happened if all writers had followed him and abandoned sentence structure?”Of course, these analogies are only approximate, and they are complicated by the fact that different arts evolve at different rates and times, with music frequently lagging behind in terms of historical development.

  1. For example, music took over from the poetry of Mallarme, as with Schoenberg, and painting from Kandinsky as part of a natural progression.
  2. As Mr.
  3. ” Berg is an example of what Mr.
  4. Ross.
  5. Another of Mr.
  6. “There is no composer on the level of Mozart,” Mr.
  7. Richard Taruskin, who has written extensively on Stravinsky and 20th-century music and is currently working on a broad history of music, goes a step farther in his analysis.

Now, he says, it’s become something of a bedtime tale.

In the visual arts, the twentieth century has been dubbed “the great century.” And today the tiniest segment of the music world still believes that it is the only thing that matters: a little vanguard in the midst of a huge blooming of emancipation”.

I hope that people will become more conscious that the term “music” is no longer relevant, and that the term “musics” is more appropriate.

Among the hallmarks of the twentieth century in music, he notes the progressive extinction of great musical genres such as the oratorio and the grand symphony, as well as the absence of a common musical language.

Augusta Read Thomas, a younger American composer who is more relaxed about the situation, thinks that “a common musical vernacular has fractured into a huge collection,” but she does not share Mr.

It is a moment when the arts are devalued and underrated by the general public, and we are inundated by the rituals of popular culture, as she put it in her speech.

In his book, Mr.

It is his contention that the most significant influences on 20th-century music have been the intruding presence of mass and totalitarian politics; the introduction of recording and other electronic means, which allowed music to be created directly in sound without the need for paper; and the resulting decline in musical literacy among professionals and the general public.

Taruskin predicts is nothing less than the extinction of musical literacy, which dates back to about the year 1000 A.D.

Mr. Taruskin, on the other hand, has counseled against making forecasts or making bold assertions. When it comes to the future, if this generation can predict anything, it is that the twenty-first century, not to mention the third millennium, will be full of surprises, for better or worse.

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